Untitled

Thea Djordjadze

Untitled, 2017105 x 234 x 58cm35000 EUR
Details
MaterialGalleryLocation
steel, powder coatedKaufmann RepettoMilan
Description
Human-crafted. AI-refined.

This minimalist artwork features the word "DOCENT" in large, bold lettering against a plain white background. The composition is simple and clean, relying solely on the visual impact of the text to convey its message. The use of a single, neutral color palette and the lack of additional elements create a stark, almost austere aesthetic. The stark simplicity and focus on typography suggest a conceptual approach that may comment on the role of language and signage in the context of art and education. Though the meaning remains open to interpretation, the work invites the viewer to engage with the nuances of its minimalist design and the implied significance of the word "DOCENT" within the art world. ...

Similar Artworks
Heap
Lucie StahlHeap, 201912000 EUR
I cannot sleep… knowing that tonight is the end of everything
Candice BreitzI cannot sleep… knowing that tonight is the end of everything, 1949110000 EUR
Gorge (double bend)
Nairy BaghramianGorge (double bend), 2017Price on Request
Heavy Metal
Alexandra BirckenHeavy Metal, 202412000 EUR
Background
Nina CanellBackground, 201924000 EUR
Yellow Scars
Ketuta Alexi-MeskhishviliYellow Scars, 2023Price on Request
Submersion
Lucie StahlSubmersion, 201912000 EUR
Rollkoffer (Brick Trolley)
Judith HopfRollkoffer (Brick Trolley), 2018Price on Request
Untitled
Dianna MolzanUntitled, 2022Price on Request
Stool
Eva RothschildStool, 2017Price on Request
Thea Djordjadze
Artist
Thea Djordjadze
1971 , Georgian

Thea Djordjadze was born in Tbilisi, Georgia, in 1971. She lives and works in Berlin. At first glance, Thea Djordjadze’s sculptural assembles are not always readily identifiable as such; she often creates installations developed on site in response to the particular space or the context of an institution. For her 2017 solo show at Pinakothek der Moderne in Munich she realized out-sized vitrines that structured the exhibition space and in which she presented a selection of works on paper from Graphische Sammlung München. At the same time, she designed comfy islands of seats for the viewers. Her artistic practice at times intervenes profoundly in institutional structures; in this way, it could be grasped as a process of continual contextualization, reconfiguration and re-ordering of existing and new objects, as a provisional state that bears within it the potential of change. ...

Thea Djordjadze: Artworks
Historical Mood
Thea DjordjadzeHistorical Mood, 2010Price on Request
Untitled
Thea DjordjadzeUntitled, 20109500 EUR
Untitled
Thea DjordjadzeUntitled, 201326000 EUR
Untitled
Thea DjordjadzeUntitled, 201333000 EUR
Untitled
Thea DjordjadzeUntitled, 201333000 EUR
Untitled
Thea DjordjadzeUntitled, 201326000 EUR
Untitled
Thea DjordjadzeUntitled, 201528000 EUR
Untitled
Thea DjordjadzeUntitled, 201758000 EUR
Untitled
Thea DjordjadzeUntitled, 201735000 EUR
Untitled
Thea DjordjadzeUntitled, 201748000 EUR
Untitled
Thea DjordjadzeUntitled, 201818000 EUR
Untitled
Thea DjordjadzeUntitled, 202038000 EUR
Untitled
Thea DjordjadzeUntitled, 202015000 EUR
Untitled
Thea DjordjadzeUntitled, 202046000 EUR
Untitled
Thea DjordjadzeUntitled, 201735000 EUR
Untitled
Thea DjordjadzeUntitled, 201720000 EUR
Untitled
Thea DjordjadzeUntitled, 202038000 EUR
Untitled
Thea DjordjadzeUntitled, 201818000 EUR
Untitled
Thea DjordjadzeUntitled, 202024000 EUR
Kaufmann Repetto
Gallery
Kaufmann Repetto
Milan, New York City

francesca kaufmann gallery opened in January 2000. Since then, the gallery has aimed to explore a diverse range of media, with a focus on video, site specific installation, and a special attention towards the works of female artists. After ten years in its historical location, the gallery opened in a new space in October 2010, under the name kaufmann repetto, to mark the partnership between Francesca Kaufmann and Chiara Repetto. In its new location, the gallery has been able to further develop its exhibition programming through a project space dedicated predominantly to younger artists, as well as a courtyard for large scale outdoor installations, which run parallel to the gallery’s main exhibition schedule. In 2013, the gallery inaugurated a new location in Chelsea, New York, with a parallel program to the gallery’s main space in Milan. In 2019 the New York location moved to Tribeca, expanding to a 3,000 sq ft exhibition space. The inaugural exhibition at the gallery’s new space in Tribeca was a solo show by Lily van der Stokker. ...