Untitled
Untitled
Untitled
Untitled

Thea Djordjadze

Untitled, 2020147.3 x 111.7 x 3.8cmSign in to view price
Details
MaterialGallery
watercolor and colored pencil on plaster, woodKaufmann Repetto
Description
Human-crafted. AI-refined.

This abstract artwork features a vibrant and dynamic composition of colors and textures. The canvas is filled with a harmonious blend of blues, purples, and warm tones, creating a sense of depth and movement. The artist has employed a range of techniques, including gestural brushstrokes and layered applications of paint, to produce a captivating and visually stimulating work. While the subject matter is not immediately recognizable, the piece evokes a sense of natural landscapes and atmospheric phenomena, inviting the viewer to immerse themselves in the artist's expressive interpretation of the world around them. ...

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Thea Djordjadze
Artist
Thea Djordjadze
B.1971, Georgian

Thea Djordjadze was born in Tbilisi, Georgia, in 1971. She lives and works in Berlin. At first glance, Thea Djordjadze’s sculptural assembles are not always readily identifiable as such; she often creates installations developed on site in response to the particular space or the context of an institution. For her 2017 solo show at Pinakothek der Moderne in Munich she realized out-sized vitrines that structured the exhibition space and in which she presented a selection of works on paper from Graphische Sammlung München. At the same time, she designed comfy islands of seats for the viewers. Her artistic practice at times intervenes profoundly in institutional structures; in this way, it could be grasped as a process of continual contextualization, reconfiguration and re-ordering of existing and new objects, as a provisional state that bears within it the potential of change. ...

Thea Djordjadze: Artworks
Historical Mood
Thea Djordjadze
Historical Mood, 2010
91 x 170 x 89cm
Untitled
Thea Djordjadze
Untitled, 2020
147.3 x 111.7 x 3.8cm
Untitled
Thea Djordjadze
Untitled, 2025
150 x 120 x 4cm
Untitled
Thea Djordjadze
Untitled, 2010
⌀17.78cm
Untitled
Thea Djordjadze
Untitled, 2013
13 x 145.5 x 37.5cm
Untitled
Thea Djordjadze
Untitled, 2013
201 x 44 x 37cm
Untitled
Thea Djordjadze
Untitled, 2013
180 x 61.5 x 46cm
Untitled
Thea Djordjadze
Untitled, 2013
14.5 x 146 x 38cm
Untitled
Thea Djordjadze
Untitled, 2015
15 x 122 x 250cm
Untitled
Thea Djordjadze
Untitled, 2017
105 x 234 x 58cm
Untitled
Thea Djordjadze
Untitled, 2017
105 x 234 x 58cm
Untitled
Thea Djordjadze
Untitled, 2017
70 x 300 x 176cm
Untitled
Thea Djordjadze
Untitled, 2018
41.5 x 28.5 x 4cm
Untitled
Thea Djordjadze
Untitled, 2020
104 x 77.5 x 3.5cm
Untitled
Thea Djordjadze
Untitled, 2020
5.1 x 64.1 x 14cm
Untitled
Thea Djordjadze
Untitled, 2017
105 x 234 x 58cm
Untitled
Thea Djordjadze
Untitled, 2017
49 x 29 x 6.5cm
Untitled
Thea Djordjadze
Untitled, 2020
104 x 77.5 x 3.5cm
Untitled
Thea Djordjadze
Untitled, 2018
41.5 x 28.5 x 4cm
Untitled
Thea Djordjadze
Untitled, 2020
101.6 x 35.6 x 1.9cm
Kaufmann Repetto
Gallery
Kaufmann Repetto
Milan, New York City

francesca kaufmann gallery opened in January 2000. Since then, the gallery has aimed to explore a diverse range of media, with a focus on video, site specific installation, and a special attention towards the works of female artists. After ten years in its historical location, the gallery opened in a new space in October 2010, under the name kaufmann repetto, to mark the partnership between Francesca Kaufmann and Chiara Repetto. In its new location, the gallery has been able to further develop its exhibition programming through a project space dedicated predominantly to younger artists, as well as a courtyard for large scale outdoor installations, which run parallel to the gallery’s main exhibition schedule. In 2013, the gallery inaugurated a new location in Chelsea, New York, with a parallel program to the gallery’s main space in Milan. In 2019 the New York location moved to Tribeca, expanding to a 3,000 sq ft exhibition space. The inaugural exhibition at the gallery’s new space in Tribeca was a solo show by Lily van der Stokker. ...

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