The artwork is a minimalist sculpture composed of a sturdy, rectangular brick-like form in a warm, earthy terracotta color. The surface is divided into six distinct panels by lightly impressed lines, creating a grid-like pattern. The overall composition is simple yet visually appealing, emphasizing the material's tactile qualities and the elegant geometry of the design. The sculpture's utilitarian appearance and the inclusion of a wooden handle suggest a functional purpose, though the artist's intention may have been to challenge traditional notions of art and everyday objects. This thought-provoking work reflects the minimalist aesthetic that emerged in the mid-20th century art scene. ...
Since the 1990s, Judith Hopf has been developing an independent artistic language in the form of sculpture, film, drawing, performance or even stage design. In her works, Hopf addresses social inscriptions and power structures in political and private realms and the impact of visible and invisible architectures, technology and objects, on the human body and its movements. Often sourced from everyday as well as modern and postmodern aesthetic vocabulary and materials such as brick, concrete, glass, her works challenge habituals views, representations and behaviours. ...
Deborah Schamoni is a contemporary art gallery based in Munich, Germany.
Situated in a 1970s villa, the gallery is able to offer its artists a spacious white cube, flooded with daylight and opening up to a greened outdoor area, as well as an independent smaller room.
Since its founding in 2013, the gallery has focused on showing and supporting emerging international artists and it presents an exceptional program that unites international positions with a subversive and self-reflexive approach to art making considering the complexity of human coexistence.
The gallery often stages the first shows of upcoming international artists in Germany. The program is developing a distinct profile with artists like Maryam Hoseini, Yong Xiang Li, and Flaka Haliti, who investigate the sociopolitical conditions of queer identity and gender, and share a diasporic experience in their works.
Beyond its international focus, the gallery has been playing an important part in establishing Munich as a prominent destination for contemporary art and its discourses. ...
![DIOSAS de CUEVA VERDE EMOCIÓNALES, (D.F. Copal) [5]](https://res.cloudinary.com/docent-art/image/upload/c_limit,w_3840/f_auto/q_100/v1708955488/production/artworks/ingested/22df942f-8053-4822-a59a-e98dcebc7c96?_a=BAVAZGID0)
