Wilhelm: Quel ennui, mes amis! (What a Nuisance, My Friends! - French, complete)

Trong Gia Nguyen

Wilhelm: Quel ennui, mes amis! (What a Nuisance, My Friends! - French, complete), 201613.4 x 9.4 x 1.2cm3950 USD
Details
MaterialGalleryLocation
rice kernels, ink, plexiglassGalerie QuynhHo Chi Minh City
Description
Human-crafted. AI-refined.

Visual Elements: The artwork features a clear plastic bag filled with numerous white, cylindrical objects resembling pills or cigarette butts. The overall composition is minimalist, with a stark white background and clean lines framing the central focus. Subject Matter: The image appears to depict a collection of discarded or disposable items, possibly medical or pharmaceutical in nature, presented in a clinical, detached manner. Artistic Style and Technique: The work utilizes found objects and a simple, reductive approach, characteristic of conceptual art practices that often aim to challenge conventional perceptions and prompt reflection on societal issues. Context: The title "Wilhelm Tjarnlund de Tessarolo" suggests a reference to an individual, though the meaning and intent behind this work remain open to interpretation, inviting the viewer to consider the broader socio-cultural or political implications the artist may have intended to convey. ...

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Trong Gia Nguyen
Artist
Trong Gia Nguyen
1971 , Vietnamese

“My work examines structures of power in their myriad forms, making attempt to scrutinize the soft foundation upon which contemporary life plays out, often behind the façade of fairness, sincerity, security, tradition, and civility.” Often employing humor while at other times engaging sober reflection, Trong Gia Nguyen’s work elevates the condition of doubt and reveals the power structures behind our most trusted institutions and beliefs as they relate to the dynamics of domesticity, culture, politics, and economy. Self-reflexive by nature, Nguyen’s methods question the status quo through subtle modes of subversion and interruption. On the flipside, it is an aesthetically pessimistic vantage point, one of retreat that espouses a dimension of decadence, at the expense of charlatanism. Whether taking the form of sculpture, painting, iPhone applications, film, or web-based performance actions, Nguyen’s conceptual approach walks the fine line between joy and sorrow, subtlety and blatancy, night and light, and beauty and beast. ...

Trong Gia Nguyen: Artworks
St Sebastian (after Antonello da Messina)
Trong Gia NguyenSt Sebastian (after Antonello da Messina), 2013Price on Request
Family, Enid, circa 1982
Trong Gia NguyenFamily, Enid, circa 1982, 2014Price on Request
Enid, Meadowlake Park, circa 1981
Trong Gia NguyenEnid, Meadowlake Park, circa 1981, 2019Price on Request
Enid, circa 1982
Trong Gia NguyenEnid, circa 1982, 2019Price on Request
Saigon, 1973
Trong Gia NguyenSaigon, 1973, 201418000 USD
The Leavers
Trong Gia NguyenThe Leavers, 201425000 USD
Bruno
Trong Gia NguyenBruno, 201620000 USD
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Trong Gia NguyenWilhelm: Quel ennui, mes amis! (What a Nuisance, My Friends! - French, complete), 20163950 USD
Le Petit Chaperon Rouge (Little Red Riding Hood - French, complete)
Trong Gia NguyenLe Petit Chaperon Rouge (Little Red Riding Hood - French, complete), 20163950 USD
Kaepernicking > Tebowing
Trong Gia NguyenKaepernicking > Tebowing, 201821600 USD
Seuss: The Cat in the Hat (complete)
Trong Gia NguyenSeuss: The Cat in the Hat (complete), 20185150 USD
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Trong Gia NguyenFamily, Enid, circa, 19808500 USD
Kerouac: On the Road (first chapter)
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Galerie Quynh
Gallery
Galerie Quynh
Ho Chi Minh City

Recognized as Vietnam’s leading contemporary art gallery, Galerie Quynh has been promoting contemporary art practice in the country for over two decades. The gallery is known internationally for its consistently focused programming and educational initiatives. Working with a select group of emerging, mid-career and established Vietnamese artists, the gallery also exhibits the work of distinguished artists from around the world. In keeping with its mission to develop a sustainable ecosystem for the arts in Vietnam, the gallery collaborates with artists, curators, museums and art spaces locally and internationally to organize talks and lectures as well as to produce publications in English and Vietnamese. In May 2014 the gallery founded the not-for-profit educational initiative Sao La directed by artists Tung Mai and Nguyen Kim To Lan. Sao La has since evolved into an independent artist collective spearheaded by To Lan and Dalat-based artist Nguyen Duc Dat. In summer 2020 with support from the Goethe-Institut, the gallery launched the not-for-profit CáRô, an educational initiative that provides art education for students aged 13 – 18 who show demonstrative interest in the arts. ...