The artwork features a ceramic vessel with a rounded body and a lid. The surface is painted with simple, abstract figures in a monochromatic blue-and-white palette. The figures appear to be stylized human shapes, with intricate patterns and forms that suggest a primitive or tribal aesthetic. The overall composition is minimalist, with a focus on the interplay of the basic shapes and the textural qualities of the ceramic material. The artwork likely reflects the artist's exploration of traditional ceramic techniques and the incorporation of symbolic or cultural elements, though without further context, the precise intention behind the piece remains open to interpretation. ...
Born in Hanoi in 1963, Truong Tan is one of Vietnam’s most innovative and daring artists. As the first openly gay artist in Vietnam to freely address issues of homosexuality in his art, he has also proven influential due to his relentless originality as a painter and his groundbreaking works of performance and installation in the 1990s.
Moving from his early autobiographical work, Tan’s current practice (often times incredibly labour intensive) ponders grand themes of love, courage, prejudice and conflict. ...
Recognized as Vietnam’s leading contemporary art gallery, Galerie Quynh has been promoting contemporary art practice in the country for over two decades. The gallery is known internationally for its consistently focused programming and educational initiatives. Working with a select group of emerging, mid-career and established Vietnamese artists, the gallery also exhibits the work of distinguished artists from around the world. In keeping with its mission to develop a sustainable ecosystem for the arts in Vietnam, the gallery collaborates with artists, curators, museums and art spaces locally and internationally to organize talks and lectures as well as to produce publications in English and Vietnamese. In May 2014 the gallery founded the not-for-profit educational initiative Sao La directed by artists Tung Mai and Nguyen Kim To Lan. Sao La has since evolved into an independent artist collective spearheaded by To Lan and Dalat-based artist Nguyen Duc Dat. In summer 2020 with support from the Goethe-Institut, the gallery launched the not-for-profit CáRô, an educational initiative that provides art education for students aged 13 – 18 who show demonstrative interest in the arts. ...
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