Details
MaterialGallery
gouache on canvas and foam board, alumiumBalice Hertling
Description
Human-crafted. AI-refined.

This contemporary artwork features a muted, earthy color palette with a central white panel depicting a field of delicate, hand-drawn wheat or grass stems. The rough, textured frame surrounding the central image suggests a collage or mixed-media approach, creating an interplay between the detailed organic forms and the abstract, expressionistic background. The artist's style blends representational elements with a more experimental, spontaneous technique, hinting at themes of nature, growth, and the interplay between order and chaos. The historical context or the artist's specific intention behind this piece is not immediately clear, but the work invites the viewer to contemplate the relationship between the natural world and the creative process. ...

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Artist
Will Benedict
B.1978, American

Combining photography, painting and drawing, Will Benedict creates works that test the limits of an art form, disrupting the distinction between the image and the frame, painting and reproduction. Through the processes of deconstruction, hybridisation and recomposition, the artist mystifies the boundaries and disorients his audiences, exploring notions of inequality, consumerism, gig-economy, a sense of collective alienation and parallel universes. The ambivalence of the subject of his work is continued through the merge of media and play on the audience’s senses. Through the use of journalistic methods and footage found on Youtube, magazines and TV, Benedict explores the relationship between art, commercial production and advertising and social media. A powerful commentary on the social, political and economic underpinnings of contemporaneity, Benedict’s practice is at once humorous and tragic, piercing through the fabrics of reality. ...

Will Benedict: Artworks
All bones must burn
Will Benedict
All bones must burn , 2016
190 x 130 x 3cm
Your Mattress: What You Don’t Know Can Kill You
Will Benedict
Your Mattress: What You Don’t Know Can Kill You, 2015
When the student is ready the master appears
Will Benedict
When the student is ready the master appears, 2015
130 x 190 x 4cm
Untitled (Landscape)
Will Benedict
Untitled (Landscape), 2015
Untitled
Will Benedict
Untitled, 2017
190 x 130 x 4cm
Untitled
Will Benedict
Untitled , 2017
130 x 190 x 4cm
Thousand year old eggs are cheese
Will Benedict
Thousand year old eggs are cheese, 2018
165 x 110 x 2cm
Bad Weather
Will Benedict
Bad Weather , 2015
126 x 186 x 2cm
Angels vs. Butterflies
Will Benedict
Angels vs. Butterflies, 2015
126 x 186 x 2cm
Homeland Security ate my Homework
Will Benedict
Homeland Security ate my Homework, 2015
126 x 186 x 2cm
We are ok with explanations
Will Benedict
We are ok with explanations, 2015
126 x 186 x 2cm
Untitled
Will Benedict
Untitled, 2016
190 x 130cm
Untitled
Will Benedict
Untitled, 2017
190 x 130cm
Untitled
Will Benedict
Untitled, 2017
190 x 130cm
Angels and Mosquitos
Will Benedict
Angels and Mosquitos, 2019
165 x 110cm
Dialogue of the Dogs
Will Benedict
Dialogue of the Dogs, 2022
145 x 135cm
Untitled
Will Benedict
Untitled, 2021
59.5 x 49.5 x 2.5cm
Untitled
Will Benedict
Untitled, 2021
59.5 x 49.5 x 2.5cm
Bird in the World
Will Benedict
Bird in the World, 2024
48 x 58 x 2.5cm
Balice Hertling
Gallery
Balice Hertling
Paris, Paris

Balice Hertling was founded in 2007 by Daniele Balice and Alexander Hertling. Balice Hertling has hosted the debut solo shows of many artists like Camille Blatrix, Xinyi Cheng and Isabelle Cornaro—all of whom have gone on to earn widespread recognition. From 2012 to 2016, gallery founders Daniele Balice and Alexander Hertling operated a project space in Manhattan. Returning to France in 2017, they relocated the main gallery to Paris’ Marais district and transformed the former Belleville location into a space for curated projects and shows by younger artists. Indeed, many artists represented by the gallery exemplify unique subcommunities of the emergent art world. This breadth of representation also translates to a breadth of medium, as the gallery represents painters as well as artists working in mixed media such as film, performance and sculptural objects. The gallery also represents artists whose careers are more established : British conceptual artist Stephen Willats, Syrian-born painter and sculptor Simone Fattal, and Italian artist Enzo Cucchi. In its programming and practices, Balice Hertling constantly works toward creating a more diverse and equitable art landscape. In this spirit, the gallery is proud to represent the Estate of Behjat Sadr, who was the first woman artist to be recognized as a modern master in Iran. As a result of the pandemic, the gallery co-founded « Palai » in the summer of 2021, a yearly exhibition hosting a small group of galleries from around the world, in historic locations in Lecce, a city in Italy's Puglia region. Palai is neither a curated exhibition nor a fair, it is thought to be a version of a residency, a collegial collaboration, where artists, galleries, and friends of the art world come together. In 2021 Balice Hertling relocated and brought closer both spaces in the Marais with a new main space inaugurated by a Ser Serpas scultpure solo show, and a new showroom and project space on rue de Montmorency. ...

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