The artwork depicts a simple, minimalist composition featuring two triangular shapes in contrasting shades of blue and off-white. The dominant dark blue triangle fills the lower half of the canvas, while the lighter triangle in the upper half creates a visually striking geometric pattern. The overall style is clean, geometric, and focused on the interplay of shapes and negative space. This abstract work likely aims to explore the relationship between form, color, and the viewer's perception, showcasing the artist's command of minimalist techniques and attention to the fundamentals of visual design. ...
Alexis Auréoline’s artistic language weaves between photography, painting, and the tactile technique of frottage, centred especially on large-scale cyanotypes. This analogue process, involving chemical exposure to sunlight, transforms his surfaces with a poetic suggestion of water, time, and memory. He employs charcoal derived from Manitoba’s local hardwoods—like maple and white oak—to create frottage works by dragging the material across canvas laid atop his well-worn studio table. The resulting textures echo both the surface grain and the poem-like repetition of printing techniques, blurring distinctions between image and index. Auréoline’s work channels the deep connection between his Métis heritage and the landscapes of Winnipeg—its woodlands, rivers, and cultural histories. These elemental gestures—wood, water, light, and print—are orchestrated quietly and patiently, inviting viewers to dwell in the subtle resonance of material presence and ancestral belonging. ...
