Andreas Eriksson

The Moons and the Suns, 2019121 x 81 x 4cm5598 USD

Details

Material

print on bfk rives 300 g monotype

Description

Human-crafted. AI-refined.

The artwork features a simple, minimalist composition on a pastel green background. The visual elements consist of bold, geometric shapes in white, including a central circular form surrounded by abstract, linear elements. The overall composition creates a sense of balance and symmetry. The subject matter appears to be a stylized, abstract representation of a natural form, perhaps resembling a flower or plant. The artist employs a reductive, modernist approach, focusing on essential shapes and forms to convey a sense of tranquility and harmony. This abstract piece likely reflects the artist's intention to explore the fundamental elements of design and their capacity to evoke emotional responses. ...

Similar Artworks

Mariah GarnettOctober 1917, 2021Price on Request

Gina BeaversCorn Nails, 2019Price on Request

Shahzia SikanderThe Shadow Series I, 2021Price on Request

Juliette BlightmanStill life #11, 2016Price on Request

Mariah GarnettQueen of the Night, 2021Price on Request

Gina BeaversPainter's Lips, 2019Price on Request

Jennifer J. LeeHedges, 2019Price on Request

Shahzia SikanderInfinite Women, Series 1, 2022Price on Request

Suki Seokyeong KangMat 55 x 40—Bold #19-06, 2019Price on Request

Chou Yu-Cheng 周育正Water, Color & Paper #1 水彩紙 #1, 2022Price on Request

Nina CanellPolyethylene Feels, 2019Price on Request

Judith HopfUntitled, 2018Price on Request

Artist

Andreas Eriksson

B.1975, Swedish

Oscillating between abstraction and figuration, the understated works of Andreas Eriksson shift between paintings, drawings, prints, photographs, and sculptures. Heavily influenced by his immediate locality, Eriksson lives in a forested bank of Lake Vänern, Sweden, with remnants and markers of this landscape populating his oeuvre. Organic forms such as leaves, stars and mountains reappear, abstracted, collaged, and often fragmented. The works are fragile in tone, laying testament to the intimacy between the artist and this landscape, whilst also speaking to the wider vulnerability of this oasis amidst contemporary planetary conditions. Eriksson cites Edvard Munch and Albert Oehlen as key references, which is readily tangible in the poetic sensibility of his work. ...