Andreas Eriksson

Landslide, 2019125.2 x 85.4 x 4cmPrice on Request

Details

Material

woodblock print print on paper: bfk rives 300 g

Description

Human-crafted. AI-refined.

This abstract artwork features a monochromatic palette of beige and white tones, with a hazy, dreamlike composition. The overall impression is one of organic forms and soft, amorphous shapes that blend and bleed into each other. The technique employed appears to be a watercolor-like application, creating a sense of fluidity and ethereality. The artwork suggests a meditative, atmospheric quality, inviting the viewer to ponder the ambiguous subject matter and the artist's intended emotional resonance. While the specific context or intention behind this piece is not clear, it exemplifies the contemporary visual language of abstract expressionism, prioritizing subjective experience over literal representation. ...

Similar Artworks

Gina Beavers16 Step Smoky Eye, 2020Price on Request

Chou Yu-Cheng 周育正Bibliotheque #3, 2022Price on Request

Chou Yu-Cheng 周育正Water, Color & Paper #1 水彩紙 #1, 2022Price on Request

Mariah GarnettQueen of the Night, 2021Price on Request

Gina BeaversSeoul Bistro Fire Burger, 2020Price on Request

Juliette BlightmanStill life #11, 2016Price on Request

Jennifer J. LeeHedges, 2019Price on Request

Judith HopfUntitled (Serpent), 2015Price on Request

Suki Seokyeong KangJeong—head #19-01, 2019Price on Request

Shahzia SikanderInfinite Women, Series 1, 2022Price on Request

Nina CanellPolyethylene Feels, 2019Price on Request

Artist

Andreas Eriksson

B.1975, Swedish

Oscillating between abstraction and figuration, the understated works of Andreas Eriksson shift between paintings, drawings, prints, photographs, and sculptures. Heavily influenced by his immediate locality, Eriksson lives in a forested bank of Lake Vänern, Sweden, with remnants and markers of this landscape populating his oeuvre. Organic forms such as leaves, stars and mountains reappear, abstracted, collaged, and often fragmented. The works are fragile in tone, laying testament to the intimacy between the artist and this landscape, whilst also speaking to the wider vulnerability of this oasis amidst contemporary planetary conditions. Eriksson cites Edvard Munch and Albert Oehlen as key references, which is readily tangible in the poetic sensibility of his work. ...