Anne Bourse’s practice is underpinned by the lack of hierarchies, certainties and definitions. Her choice of medium is instinctive and spans painting, drawing, textile, sculpture and writing. Bourse says that “being unclear is important, " asking her audience to refrain from fully understanding and leaving space for ambiguity. Bourse’s eclectic, psychedelic colours, hanging fabrics and found objects form nuanced agglomerations of the artist’s thoughts, contextualised by emotion and intuition. She finds inspiration in all that surrounds herself, forming a functional community within her works. The brightness and subtleness of her practice present a chaos that avoids cohesion and ideology, thereby creating an unlimited space for emotional and interpretative potential. ...
Crèvecœur, founded in 2009 by Axel Dibie (born 1981) and Alix Dionot-Morani (born 1979), located in the Belleville area (eastern Paris) has, since its creation, presented artists from France and the rest of the world whose different practices question current conditions for producing images and objects. The gallery sees itself as a body that supports its artists in the various stages of production, demonstration and dissemination of their practice. Through its work inside 3 gallery spaces — a 160 sq.m. space in Eastern Paris (20e) with natural light that can host ambitious exhibitions; and two spaces in the historic centre of Paris (7e) through the co-creation, since 2015, of a new alternative fair called Paris Internationale; through a publishing house called oe publishing books by represented and invited artists; and through support for production of the institutional shows of the represented artists, Crèvecœur is an entity which aims to adapt, in an organic way, to the challenging systems that contemporary artists experience today. ...
