Cantique #2

Bamouin Sinzé

Cantique #2, 202044 x 29.5 x 19cmSign in to view price
Details
MaterialGallery
Description
Human-crafted. AI-refined.

The artwork depicts a sculptural bust composed of earthy, organic materials. The form features mottled, textural surfaces with a pale, creamy hue suggestive of weathered stone or aged ceramic. The overall shape is abstract and expressive, with a sense of erosion or distortion that creates a contemplative, enigmatic presence. The artist's technique appears to embrace the natural imperfections and irregularities of the materials, resulting in a striking, visually arresting piece that invites the viewer to ponder themes of time, transience, and the human condition. ...

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Bamouin Sinzé
Artist
Bamouin Sinzé
B.1995, Ivorian

Since his childhood, Bamouin Sinzé has transported himself into an inner world, a world of chimeras in which he can gather himself. The plastic gesture allows him to give life to the figures that inhabit him, to give shape to the shadows. If this universe is not tangible, it is not necessarily non-existent. For Bamouin Sinzé, each of us has an intimate and specific knowledge of it, but only some of us have the curiosity or the temerity to assume it and embrace it. Bamouin Sinzé, with a candle in his hand, draws lines, circles and curves in the air under his upside down canvas, most of the time at night, like invisible writing. The smoke transcribes these gestures on the canvas by grey and vaporous, fragile marks. The evanescence thus appears to be at the centre of his work. The artist seeks to represent a fragment of immortalized time, to seize the impalpable, to represent what inexorably ends up disappearing. ...

Bamouin Sinzé: Artworks
Ivresse
Bamouin SinzéIvresse, 2020
129 x 129cm
Origine #1
Bamouin SinzéOrigine #1, 2020
140 x 130cm
Evanescence #2
Kôguôè #1
Assoman (Ma chérie)
Gnamien Blé #1
Errance
Bamouin SinzéErrance, 2020
160 x 160cm
Le banquet
Bamouin SinzéLe banquet, 2020
150 x 180cm
Sans titre)
Sans titre)
Sans titre)
Sans titre)
Bamouin SinzéSans titre), 2020
150 x 100.5cm
Sans titre)
Bamouin SinzéSans titre), 2020
150 x 100.5cm
Sans titre)
Agna (La réunion)
Awalé
Bamouin SinzéAwalé, 2020
160 x 160cm
Ayeka (L'orphelin)
Cantique #1
Bamouin SinzéCantique #1, 2020
50.4 x 24 x 12cm
Cantique #2
Bamouin SinzéCantique #2, 2020
44 x 29.5 x 19cm
Dibi
Errance
Bamouin SinzéErrance, 2020
129 x 129cm
Errance
Bamouin SinzéErrance, 2020
140 x 130cm
Errance
Bamouin SinzéErrance, 2020
160 x 160cm
Evanescence #1
Evanescence #2
Gnamien Blé #1
Gnamien Blé #2
Ivresse
Bamouin SinzéIvresse, 2020
129 x 129cm
Kôguôè #2
Kôguôè #3
Le banquet
Bamouin SinzéLe banquet, 2020
150 x 180cm
Lucifer
Bamouin SinzéLucifer, 2020
150 x 120cm
N’da
Bamouin SinzéN’da, 2020
150 x 150cm
Ocabialé #1
Ocabialé #2
Ocâbialé #2
Ocâbialé #3
Origine #1
Bamouin SinzéOrigine #1, 2020
140 x 130cm
Untitled
Bamouin SinzéUntitled, 2020
150 x 150cm
Yésus
Bamouin SinzéYésus, 2020
150 x 150cm
Kôguôè #2
Errance
Bamouin SinzéErrance, 2020
129 x 129cm
Evanescence #1
Cantique #1
Bamouin SinzéCantique #1, 2020
50.4 x 24 x 12cm
Awalé
Bamouin SinzéAwalé, 2020
160 x 160cm
Galerie Cécile Fakhoury
Gallery
Galerie Cécile Fakhoury
Abidjan, Paris, Dakar

Galerie Cecile Fakhoury opened its doors in Abidjan, Ivory Coast in September 2012. In May 2018, the gallery inaugurated its second space in Dakar, Senegal and a showroom in Paris, France. Shortly after, in March 2020, a new project space dedicated to emerging artists from Africa opened in Abidjan. In October 2021, Galerie Cecile Fakhoury inaugurated another gallery, opening in the 8th arrondissement of Paris on Avenue Matignon. The gallery promotes contemporary art from Africa and the Diaspora by providing visibility to the artistic diversity and creative spirit from the continent. Through its programming of solo and group exhibitions, participation in international art fairs, biennales, and collaboration with international galleries, Cecile Fakhoury is a leading force putting contemporary African art on the global map. The artists represented by the gallery are distinguished by their cultural identities and stories, they create a new language that crosses geographical boundaries and familiarities. They are observers of the world they live in, critics of society, and committed to their positions living within complex histories. In turn, they ask us to reconsider our own relation to the world. ...

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