Visual Elements: The artwork features a minimalist, rustic metal frame in a warm brown tone. Suspended from the frame are three large, organic-looking pieces that appear to be dried, distorted fungal forms or plant matter.
Subject Matter: The central focus of the piece is the trio of hanging sculptural elements, which seem to be the primary subject matter. They add a sense of natural, earthy materiality to the otherwise simple, geometric frame.
Artistic Style and Technique: The overall style is contemporary and minimalist, with a strong emphasis on organic forms and found materials. The arrangement and suspension of the sculptural elements create a sense of floating and weightlessness.
Context: This work likely explores themes of nature, decay, and the interplay between natural and man-made forms. The artist's intention may be to draw attention to the beauty and fragility of natural processes within a pared-down, conceptual framework. ...
Belén Uriel’s art practice is centered on household objects and how the way we interrelate with them can condition our social habits. She concentrates on the sculptural qualities of materials such as glass and metal in the rendering of organic shapes that are originated by the design of objects that would accommodate, sustain or have a relation with the human body. These elements, rearranged by the artist, seem to transform into anatomical parts themselves, partially reconstructing and going back to the bodies that indirectly inspired their form. ...
MADRAGOA is a contemporary art gallery founded in 2016 in the homonymous neighborhood of Lisbon’s historical center. Since its beginning, the gallery has been an early supporter of a number of international young artists such as Adrián Balseca, Rodrigo Hernández, Renato Leotta, Buhlebezwe Siwani, Joanna Piotrowska, and Yuli Yamagata, whose first productions and exhibition have been produced and promoted by the gallery and often presented for the first time in Portugal. Moreover, Madragoa launched the careers of young Portuguese artists such as Sara Chang Yan, Luís Lázaro Matos, Gonçalo Preto, and Jaime Welsh, giving them visibility on the international scene. From its peripheral location in Europe, MADRAGOA’s project focuses on how to set a deep conversation with the city and its extraordinary potential, setting a dialogue between global artistic practices and local craftsmanship and ideas. The gallery always created experiences of research and production for its artists locally and promotes its program also through the participation in a number of international art fairs, gallery exchanges, and exhibition projects. MADRAGOA is currently recognized as one of the most innovative realities in the Portuguese art scene, while it succeeded to obtain visibility internationally throughout its years of its activity. At the moment, the gallery actively represents artists from Portugal, Italy, Ecuador, Mexico, Poland, Spain, Brazil and South Africa. ...
