The Histories (after Church)
The Histories (after Church)
The Histories (after Church)

David Hartt

The Histories (after Church), 2021274.32 x 182.88cmSign in to view price
Details
Material
tapestry
Description
Human-crafted. AI-refined.

The artwork features a serene, naturalistic landscape scene depicted in a large framed canvas. The composition is dominated by lush greenery, including a prominent palm tree, set against a hazy, atmospheric background. The subdued color palette of greens and grays creates a sense of tranquility, while the realistic rendering and attention to detail suggest a documentary or observational approach. Contrasting with the natural elements is a public telephone booth, a modern, utilitarian object that disrupts the idyllic setting, perhaps commenting on the juxtaposition of nature and human intervention. The artwork invites the viewer to consider the relationship between the natural world and human-made structures, and the artistic style and technique convey a contemplative, almost meditative quality. ...

Similar Artworks
Untitled (Laurel Highlands)
Gold #1
Kenneth TamGold #1, 2019
81.28 x 35.56cm
Untitled
tickle tackle
Kenneth Tamtickle tackle, 2016
46.99 x 73.66 x 40.64cm
Untitled (waterfall)
Untitled
Richard PrinceUntitled, 2019
205.7 x 129.5 x 4cm
Champagne 2
Kenneth TamChampagne 2, 2016
59.69 x 39.37cm
Champagne 3
Kenneth TamChampagne 3, 2016
59.69 x 39.37cm
Hiatus
Lisa MilroyHiatus, 2012
154 x 200cm
Untitled (naphthol red)
Spinning Top #2
Lace
Lisa MilroyLace, 1992
190.5 x 249cm
Champagne 1
Kenneth TamChampagne 1, 2016
59.69 x 39.37cm
Untitled
Richard PrinceUntitled, 1998
27.94 x 21.59cm
Champagne 4
Kenneth TamChampagne 4, 2016
59.69 x 39.37cm
Some Endings
Phantom Limb
Adam McEwenPhantom Limb, 2017
144.15 x 182.88 x 10.16cm
Untitled
Untitled (sunset and trees)
The Histories (after Church)
Artist
David Hartt
Canadian

David Hartt is a research-based visual artist, photographer and filmmaker known for his multidisciplinary practice that engages with architecture, history, and communities. Hartt began his career as a photographer, and his early work focused on documenting built environments. Over time, his practice has evolved to incorporate other mediums such as film, sculpture, and drawing. His work is characterized by a deep engagement with the physical and cultural contexts of the sites he examines, revealing the hidden stories within these specific habitats. One of David Hartt's most well-known projects is The Historiographer (2015-2016), an immersive installation that examines the history and legacy of the headquarters of the National Museum of American History. Through his project, Hartt aims to question the ways in which history is represented and the role of architecture in shaping our understanding of the past. ...

David Hartt: Artworks