This contemporary artwork features an array of sleek, metallic objects arranged in a grid-like pattern. The uniform shapes, reminiscent of arrowheads or spearpoints, are crafted with a high level of precision, creating a visually striking and rhythmic composition. The minimalist palette of silvery tones and the geometric layout suggest a focus on the inherent beauty of the industrial design. The artist's intentional use of repeated forms and symmetry invites the viewer to consider themes of mass production, functionality, and the interplay between natural and manufactured elements. This conceptual piece likely explores the intersection of art, industry, and the human experience. ...
Lisa Milroy was born in Vancouver, Canada in 1959 and lives and works in London and Kent.
Still life is at the heart of Milroy’s practice. In the 1980s, her paintings featured ordinary objects depicted against an off-white background. Subsequently her imagery expanded to include depictions of objects within settings, as well as landscape, architecture, people, textiles and patterns. As her approaches to still life diversified, so did her manner of painting, giving rise to a range of stylistic innovations. Throughout her practice, Milroy has been fascinated by the relation between stillness and movement, and the nature of making and looking at painting. ...
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