Dickon Drury's "Ants Carry Bad Lemon, Core and Gourd" features muted purples and pinks with deep shadows, highlighting three objects—a lemon, apple core, and gourd—carried by ants beneath a moonlit sky. The surreal composition juxtaposes everyday food remnants with a whimsical narrative, employing distortion and scale to create intrigue. The hyper-saturated, textured painting transforms mundane items into symbols of domestic life and tension. Drury's work evokes introspection on human behavior and domesticity, drawing on themes of self-sufficiency and the uncanny presence of the ordinary. ...
Dickon Drury creates hyper-saturated, large-scale oil paintings of domestic interiors, populated by everyday objects such as books, computers, kitchenware, and open food. His work captures the quiet tension of domestic spaces, balancing familiarity with a subtle sense of unease. Objects—often stacked, flattened, or skewed—suggest the presence of unseen inhabitants and hint at routines, anxieties, and the traces of daily life. Through vibrant color, dramatic light, and stark shadows, Drury heightens the surreal quality of otherwise ordinary environments. His meticulous attention to detail transforms mundane items into symbols of human behavior, desire, and impermanence. The interplay between order and disorder in his compositions invites viewers to reflect on the psychological and temporal dimensions of home life. Themes of self-sufficiency, preservation, and regeneration run throughout his work, approached with both tenderness and humor. By turning familiar interiors into carefully orchestrated, almost theatrical scenes, Drury prompts consideration of how the arrangement of objects and spaces can reveal the inner life, emotional rhythms, and quiet narratives of those who inhabit them. ...
Founded in 2011, Kendall Koppe is a Glasgow-based gallery committed to championing under-represented voices in contemporary art, with a particular focus on queer and female artists. The gallery fosters a space where personal narratives intersect with broader cultural, historical, and social contexts, while also advocating for Scotland’s role in the international visual arts landscape.
