This artwork features a wreath-like composition with delicate, luminous flowers and foliage in shades of blue and white against a dark background, creating a striking contrast. The subject evokes themes of remembrance and heritage, as suggested by the title referencing Rachel's tomb in Jerusalem. Dor Guez employs a photographic technique to blend elements of nature and symbolism, reflecting on identity and the historical layering of place. Through this piece, Guez navigates his mixed heritage and questions identity within the complex socio-political landscape of modern Israel. ...
Dor Guez is an artist and scholar who was born to a famliy mixed of Palestinian and Jewish immigrants from North Africa. He uses photography and video to examine his complex heritage as a descendant of both Arab Christians and Jewish Holocaust survivors, and examines questions of identity in relation to the formation of modern Israel. Examples of this in his practice include a set of films featuring his Christian Arab family members discussing their place in Israeli society and a series of photographs of the town of Lod, which was historically a Christian-Arab village before it was taken over by Israel. For the past two decades, his research and art have centered around archival materials and photographs from the Middle East and North Africa, as well as examining the impact of violence on the landscape. Guez is interested in interrogating personal experiences and official accounts of the past and aims to complicate the dominant narrative of official history by sharing the perspectives of marginalized communities, attempting to re-contextualize visual and written documents in order to uncover hidden histories. ...
Dvir Gallery was founded in 1982 by Dvir Intrator to introduce cutting-edge contemporary Israeli artists. In 1994 the gallery broadened its’ representation to include international artists such as Miroslaw Balka, Marianne Berenhaut, Douglas Gordon, Latifa Echakhch, and Lawrence Weiner in its’ program. In 2013, Dvir Gallery combined its’ 3 separate spaces into a 5-story building, the first of its’ kind in Tel Aviv. In 2016, the gallery opened its first gateway to Europe with a branch in Brussels, which strengthen and developed the existing relationship with the international artistic community. Earlier this year, on the occasion of its 40th anniversary, the gallery opened a space in Paris, in the heart of the historical Marais District, emphasizing the special ties and connection the gallery has had, since its beginnings, with the French cultural milieu, collaborating with artists, institutions and private collections. ...
