The artwork features an abstract composition of irregularly shaped, charred wooden elements arranged against a solid green background. The textures and patterns created by the burnt and distressed wood evoke a sense of chaos and fragmentation, with the overall design resembling a chaotic network of organic forms. The artist's use of charring and destruction as a technique lends the piece a raw, primal quality, suggesting themes of impermanence, decay, and the fragility of the natural world. This conceptual piece invites the viewer to ponder the relationship between man-made and natural elements, and the underlying tensions that can arise from such juxtapositions. ...
Dvir Gallery was founded in 1982 by Dvir Intrator to introduce cutting-edge contemporary Israeli artists. In 1994 the gallery broadened its’ representation to include international artists such as Miroslaw Balka, Marianne Berenhaut, Douglas Gordon, Latifa Echakhch, and Lawrence Weiner in its’ program. In 2013, Dvir Gallery combined its’ 3 separate spaces into a 5-story building, the first of its’ kind in Tel Aviv. In 2016, the gallery opened its first gateway to Europe with a branch in Brussels, which strengthen and developed the existing relationship with the international artistic community. Earlier this year, on the occasion of its 40th anniversary, the gallery opened a space in Paris, in the heart of the historical Marais District, emphasizing the special ties and connection the gallery has had, since its beginnings, with the French cultural milieu, collaborating with artists, institutions and private collections. ...
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