disarming 1.2

Emanuel Gollob

disarming 1.2, 2023200 x 300 x 100cmSign in to view price
Details
Material
machine learning, robotic arm on gym mattress
Description
Human-crafted. AI-refined.

The artwork presents a black and white image of a closed-circuit television (CCTV) camera. The camera is depicted in a minimalist, utilitarian style, with a distinct angular and geometric composition accentuated by the high-contrast monochromatic palette. The subject matter, a surveillance camera, suggests a commentary on themes of privacy, control, and the pervasive presence of technology in modern life. The artist's choice of a stark, documentary-style presentation emphasizes the machine-like nature of the camera, reflecting on the role of automated systems in contemporary society. This piece may be interpreted as a critical examination of the increasing prevalence of surveillance and the complex relationship between individual freedom and societal security. ...

Similar Artworks
Receiver Transmitter (Root)
Lotus L. Kang
Receiver Transmitter (Root), 2023
14 x 97 x 211cm
Woman holding the vase The vase holding the flower The lips The eyes The vase Fit water and light in herself
Hoda Kashiha
Woman holding the vase The vase holding the flower The lips The eyes The vase Fit water and light in herself, 2023
150 x 120cm
Smoker Jug
Sharif Farrag
Smoker Jug, 2022
23 x 35.5 x 30.5cm
Receiver Transmitter (Born inside death II)
Lotus L. Kang
Receiver Transmitter (Born inside death II), 2025
90 x 50 x 13cm
Du cœur de ma maison
Antoine Donzeaud
Du cœur de ma maison, 2022
280 x 120 x 120cm
Pompeii fragment
Klara Zetterholm
Pompeii fragment, 2023
44 x 24cm
Romantic Shelves
Daniel De La Barra
Romantic Shelves, 2023
70 x 120cm
The Moving Feast No.1 流動的盛宴 No.1
Yu Ji 于吉
The Moving Feast No.1 流動的盛宴 No.1, 2020
300 x 200 x 180cm
Ernestine
Kokdu #4
Cindy Ji Hye Kim
Kokdu #4, 2023
25.4 x 10.2 x 8.9cm
My Body Is Propagated Like Flower, Even by Your Handwriting
Hoda Kashiha
My Body Is Propagated Like Flower, Even by Your Handwriting, 2022
150 x 120cm
Mud Mountain
Sharif Farrag
Mud Mountain, 2024
43 x 25.5 x 25.5cm
Emanuel Gollob
Artist
Emanuel Gollob
B.1991

Emanuel Gollob (b. 1991; lives and works in Vienna) paints a picture of a multilayered narrative of technology as a convoluted species and potential valuable mediator in a multi-species world. An ecological system of intertwined digital and physical realms with parallel learning/unlearning on different levels. A relational world with and between independence and still connectedness. With his art practice, Emanuel Gollob bridges the knowledge towers of aesthetic research, system-A.I. interaction and robotics. Gollob graduated from the University of Applied Arts Vienna with a diploma in Design Investigation (2019). Currently, he is artist in residency at MindSpaces, an EU research project in the STARTS initiative framework. Since 2020, he is a PhD candidate and artistic researcher at the University of Art and Design Linz. Gollob’s work has recently been exhibited in various international institutions, including Smithsonian Arts + Industries Building, Washington DC (2021); Science Gallery Melbourne, Melbourne (2021); Laboral Centro de Arte y Creación Industrial, Gijón (2020); Ars Electronica Center, Linz (2019) and Liedts-Meesen Foundation, Ghent (2019), among others. ...

Emanuel Gollob: Artworks
Disarming 1.1
disarming 1.2
Emanuel Gollob
disarming 1.2, 2023
200 x 300 x 100cm
Unlock Price & Inquiry Access