Romantic Shelves

Daniel De La Barra

Romantic Shelves, 202370 x 120cmSign in to view price
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MaterialGallery
Description
Human-crafted. AI-refined.

This landscape painting showcases a serene, dreamlike scene set against a vivid, purple-hued sky. The composition features a tranquil body of water reflecting the mountainous terrain and palm trees in the foreground, creating a harmonious and atmospheric effect. The artist's use of vibrant, subdued tones and soft, blurred brushstrokes evoke a sense of nostalgia and the romantic sublime, alluding to the artist's intention to capture the natural beauty and tranquility of this tropical setting. ...

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Romantic Shelves
Artist
Daniel De La Barra
B.1992, Peruvian

Daniel de la Barra’s practice explores the reconstruction of narratives within the hierarchical imposition of powers of domination, highlighting the power structures and extractivist valorization of which nature is a useful object. His projects explore the transition and construction of the narrative towards the instrumented landscape from romantic painting to remote sensing satellite images and new digital models of vigilance.

Daniel De La Barra: Artworks
Romantic Shelves
Palm Monoculture
80m2 Livia Benavides

80M2 Livia Benavides is an art gallery specialised in Peruvian conceptual art. The gallery opened in Lima as a response to a scarce infrastructure for the arts. From then on, the gallery is focused on developing critical discourses on contemporary issues. We are interested in different voices, practices and aesthetics focused on political and social reflection. By promoting the works of established and emerging artists who have influenced the local artistic scene, we intend to introduce new names internationally. The gallery strives to build bridges between the local and international contributing to an interchange that goes beyond borders. 80m2 Livia Benavides advocates for non- conventional exhibitions spaces that transcends the white box experience. With the intend to reach a broader spectrum of the community and to rethink exhibition venues. ...

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