Sean and Dean, Dawn and Sheen

Francisco G. Pinzon Samper

Sean and Dean, Dawn and Sheen, 202460.5 x 50.5 x 3cmSign in to view price
Details
MaterialGallery
colour pencil and mixed media on paperKendall Koppe
Description
Human-crafted. AI-refined.

This vibrant and surreal artwork features a striking juxtaposition of figures and abstract elements. The composition is dominated by bold, contrasting colors and dynamic, expressive shapes. The central figure, dressed in a black jacket, stands amid a swirling, psychedelic background of swirling lines, geometric patterns, and fantastical imagery. The style and technique evoke a sense of energy, movement, and a dreamlike quality, reminiscent of pop art and psychedelic aesthetics. This work likely reflects the artist's exploration of themes related to identity, youth culture, and the subversive potential of art to challenge conventional perspectives. ...

Similar Artworks
Hacked channels #11
Matthias Groebel
Hacked channels #11, 2000
115 x 100cm
Hollow Beach
Preslav Kostov
Hollow Beach, 2025
180 x 140cm
Untitled From the series  Mother of Go(l)d
Silvana Pestana
Untitled From the series Mother of Go(l)d, 2019
200 x 300cm
Platre 3
Sylvie Auvray
Platre 3, 2023
50 x 48 x 5cm
The liar
Mathilde Albouy
The liar, 2023
210 x 65 x 15cm
Teapot (Desire for No Tomorrow)
Brandon Morris
Teapot (Desire for No Tomorrow), 2023
45.72 x 22.86 x 25.4cm
I still dream of Orgonon
Mimosa Echard
I still dream of Orgonon, 2016
21cm ⌀9cm
Combien tu veux ?
Mathilde Albouy
Combien tu veux ?, 2023
29 x 29cm
I Said Rock
Carolina Aguirre
I Said Rock, 2024
102 x 82cm
Untitled
Matthias Groebel
Untitled, 1995
175 x 200cm
Untiled
Sylvie Auvray
Untiled, 2018
61 x 10 x 10cm
Untitled
Huella (tierra)
Carolina Aguirre
Huella (tierra), 2024
51 x 41cm
On dirait que je rentre en moi-même
Mathilde Albouy
On dirait que je rentre en moi-même, 2022
180 x 84cm
Bird ringer
Silvana Pestana Untitled
Silvana Pestana
Silvana Pestana Untitled, 2021
18 x 18 x 18cm
Bombshell Lovers
Mathilde Albouy
Bombshell Lovers, 2021
49 x 31cm
Teapot(Seafood)
Untitled From the series  Mother of Go(l)d
Silvana Pestana
Untitled From the series Mother of Go(l)d, 2019
200 x 180cm
Teapot(Empty Room)
Brandon Morris
Teapot(Empty Room), 2024
45.72 x 27.94 x 17.78cm
Early Spring Flower-Paws Stretching Soul Sheet – Mesmerizing Mesh #206
Haegue Yang
Early Spring Flower-Paws Stretching Soul Sheet – Mesmerizing Mesh #206, 2023
92 x 62 x 3.5cm
Over the fence
Preslav Kostov
Over the fence, 2025
180 x 140cm
Catherine (2)
Annabelle Agbo Godeau
Catherine (2), 2025
24 x 18cm
s’adosser à ce qui importe
Jessy Razafimandimby
s’adosser à ce qui importe, 2022
31.5 x 25cm
Bisoufleur
Mimosa Echard
Bisoufleur, 2019
29.8 x 19.9cm
zweiterjulizweitausendundvierundzwanzig
Ugo Rondinone
zweiterjulizweitausendundvierundzwanzig, 2024
33 x 48.3cm
Les favorites ( the haunters) (III)
Mathilde Albouy
Les favorites ( the haunters) (III), 2024
203 x 20cm
Untitled
Francisco G. Pinzon Samper
Artist
Francisco G. Pinzon Samper
B.1997, CO

Francisco G. Pinzón Samper describes themselves as an image DJ who samples the world around them in order to draw inspiration and create. They explore the notion of spectrum, which refers to the set of characters into which an actor manages to slip in and out from. In the same way, they incorporate and archive a large number of images, linking and reinterpreting them in order to make them their own via meticulously drawn works on paper, cardboard or wood. Their subjects; friends, lovers, collaborators, become actors set amongst backgrounds that are transformed into cinema sets laden with numerous cross-cultural signifiers. Their creations reveal fragments of intimacy: portraits of those most close to them and the fruit of their personal contemplations. The psychedelic results are an acid wash of representation, poetics, cultural references and indistinct times. Samper's work born from a play between the spiritual and the superficial - by juxtaposing aesthetics of belief, religions, pseudo-religions, suggestions of medicine or health studies with images or objects that deal with the ornamentality of fashion and advertising. At first these concepts appear as extreme sides of the spectrum, both infrared and ultraviolet, they function as contradictory. However, as Samper’s practice and language has developed the amalgamation of images and references have begun to complement each other, similar to that of musical notes within a symphony. ...

Francisco G. Pinzon Samper: Artworks
Anne Truitt's Studio
Francisco G. Pinzon Samper
Anne Truitt's Studio, 2024
150.5 x 200 x 6cm
Composition 4
Malevich
Francisco G. Pinzon Samper
Malevich, 2023
12.3 x 18.5 x 5.7cm
Mom Skirt
Peace Frog
Saint Sebastian of the butterflies
Francisco G. Pinzon Samper
Saint Sebastian of the butterflies, 2024
30 x 20cm
still life
Sean and Dean, Dawn and Sheen
Francisco G. Pinzon Samper
Sean and Dean, Dawn and Sheen, 2024
60.5 x 50.5 x 3cm
A night
A kiss and a solo
Francisco G. Pinzon Samper
A kiss and a solo, 2024
5 x 54 x 3cm
Figure
Flag Composition
Francisco G. Pinzon Samper
Flag Composition, 2024
60.5 x 50.5 x 3cm
Reggaeton and Punk
Francisco G. Pinzon Samper
Reggaeton and Punk, 2024
60.5 x 50.5 x 3cm
Composition 2
Composition 3
Francisco G. Pinzon Samper
Composition 3, 2024
60.5 x 50.5 x 3cm
The Perfumed Garden
Francisco G. Pinzon Samper
The Perfumed Garden, 2023
12.3 x 18.5 x 5.7cm
Vertical Line
Kendall Koppe
Gallery
Kendall Koppe
Glasgow, Glasgow

Unlock Price & Inquiry Access