Mathilde Albouy

Playing on both formal and conceptual paradoxes, Mathilde Albouy's sculptural work invites the viewer to a game whose rules are not clearly defined. We don't know whether the encounter with her sculptures is an act of courtship or predation, confronting us with a dangerous seduction. Nourished by feminist science fiction, Mathilde uses the fictions generated by her pieces as political tools to question an established, binary reality. By hijacking scales and materials, the sometimes sharp or toxic objects become individuals in their own right, revealing how the beauty of objects, particularly feminine ones, conveys patterns of oppression. ...

The Galerie Derouillon, founded by Benjamin Derouillon, opened its doors in September 2012 at 38 rue Notre Dame de Nazareth in the Haut-Marais district, which is emerging as one of the new poles of contemporary art in Paris, with the desire to defend a young generation of French and international artists. The programme offers a singular vision of today's art in its diversity of modes of expression, with a particular emphasis on painting, sculpture and installations. The selection of artists has in common a demanding and playful work that breaks with established codes.