This contemporary artwork features an array of disembodied hands arranged in a grid-like pattern. The hands, both male and female, are cast in various shades of white and pink hues, creating a striking visual contrast. The composition emphasizes the repetitive nature of the hands, inviting the viewer to ponder the relationship between the individual and the collective. The artist's use of prosthetic limbs suggests a commentary on themes of identity, fragmentation, and the human condition. This conceptual piece prompts reflection on the universal experiences that unite us as a society. ...
Beveridge’s materials frequently derive from commerce sites, particularly those where we prepare and process our bodies or, more accurately, where we pay others to perform labour on our surfaces. Display and presentation are persistent themes throughout the practice. Beveridge includes found photographic imagery, cropped posters and promotional material found in hair and nail salons, alongside photograms, glass and other natural materials.
Recent solo and two-person exhibitions include Packed Stars Dividing at Seventeen (2022), Great Pretender at Kai Art Center (2021), Live Dead World at Seventeen (2018-19) Soft Shrinking Tremor at Parisian Laundry, Montreal (2017), Eternity Anyways at Chewday’s, London (2016), Mainland at MOT, Brussels (2015), Health and Strength at La Salle de Bains, Lyon and Gold Diamond Park at Elizabeth Dee, New York (2014).
Seventeen presented a solo exhibit by Gabriele Beveridge at LISTE Art Fair, Basel in June 2022. ...
![Infidel [see hear speak]](https://res.cloudinary.com/docent-art/image/upload/c_limit,w_3840/f_auto/q_100/v1719395556/production/artworks/ingested/f988a9e0-0ed4-4ab8-915b-9d8a330a4aa8?_a=BAVAZGBz0)
