The artwork features a striking black and white composition, with a large, distorted glass form dominating the frame. The overall visual effect is one of fluidity and movement, with the glass creating a sense of abstraction and dynamism. The piece seems to explore the relationship between solid and liquid, as well as the interplay of light and shadow. In terms of artistic style and technique, the work has a minimalist, conceptual approach, using the simple yet powerful medium of glass to convey a complex interplay of visual elements. The artwork likely aims to challenge the viewer's perceptions and invite contemplation of the nature of materiality and form. ...
Beveridge’s materials frequently derive from commerce sites, particularly those where we prepare and process our bodies or, more accurately, where we pay others to perform labour on our surfaces. Display and presentation are persistent themes throughout the practice. Beveridge includes found photographic imagery, cropped posters and promotional material found in hair and nail salons, alongside photograms, glass and other natural materials.
Recent solo and two-person exhibitions include Packed Stars Dividing at Seventeen (2022), Great Pretender at Kai Art Center (2021), Live Dead World at Seventeen (2018-19) Soft Shrinking Tremor at Parisian Laundry, Montreal (2017), Eternity Anyways at Chewday’s, London (2016), Mainland at MOT, Brussels (2015), Health and Strength at La Salle de Bains, Lyon and Gold Diamond Park at Elizabeth Dee, New York (2014).
Seventeen presented a solo exhibit by Gabriele Beveridge at LISTE Art Fair, Basel in June 2022. ...
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