Gabriele Beveridge

The Spine Through the Guts, 2018129 x 70 x 42cmPrice on Request

Details

MaterialGallery

hand blown glass, chromed steel shop fittingsSeventeen

Description

Human-crafted. AI-refined.

The artwork features a vertical arrangement of four glass sculptures in various shades of yellow and amber, displayed on a metal rack. The shapes of the sculptures are organic and bulbous, resembling abstracted forms reminiscent of drops or tear-like forms. The compositions and interplay of colors and transparency create a visually striking and delicate balance, highlighting the artist's skillful use of glassblowing techniques. The artwork likely explores themes of fragility, fluidity, and the ephemeral nature of form, inviting the viewer to contemplate the interplay between materials, light, and visual perception. ...

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Artist

Gabriele Beveridge

B.1985, British

Beveridge’s materials frequently derive from commerce sites, particularly those where we prepare and process our bodies or, more accurately, where we pay others to perform labour on our surfaces. Display and presentation are persistent themes throughout the practice. Beveridge includes found photographic imagery, cropped posters and promotional material found in hair and nail salons, alongside photograms, glass and other natural materials. Recent solo and two-person exhibitions include Packed Stars Dividing at Seventeen (2022), Great Pretender at Kai Art Center (2021), Live Dead World at Seventeen (2018-19) Soft Shrinking Tremor at Parisian Laundry, Montreal (2017), Eternity Anyways at Chewday’s, London (2016), Mainland at MOT, Brussels (2015), Health and Strength at La Salle de Bains, Lyon and Gold Diamond Park at Elizabeth Dee, New York (2014). Seventeen presented a solo exhibit by Gabriele Beveridge at LISTE Art Fair, Basel in June 2022. ...