Georgie Nettell

Cereal Killer Cafe, 139 Brick Lane, E1 6SB, 201642 x 75cmPrice on Request

Details

MaterialGallery

c-type print on foamexProject Native Informant

Description

Human-crafted. AI-refined.

The image depicts a vibrant urban street scene in a city, with a variety of storefronts and businesses visible. The dominant feature is the "Brick Lane Boutique" storefront, which occupies a significant portion of the frame. The overall color palette is muted, with a mix of greys, browns, and blues, creating a gritty, industrial aesthetic. The composition emphasizes the geometry of the buildings and the layered textures of the brick and glass. The scene suggests a lively, bustling neighborhood, with pedestrians visible through the window displays. This image likely captures a culturally diverse and artistically inclined area of the city, reflecting the creative and entrepreneurial spirit of the local community. ...

Similar Artworks

Flo BrooksBeware! This is an erogenous zone, 2020Price on Request

Sung TieuUn)Kraut, 2023Price on Request

Ed FornielesCel, 2019Price on Request

Lloyd CorporationTeenage dream, 1974, 2019Price on Request

Morag KeilComputer 2, 2016Price on Request

Flo BrooksPassing Objects, 2017Price on Request

Corey HaymanStill Life (Trojan Sounds), 2019Price on Request

Cassi NamodaWe delight in earthly offerings, a good rain shower has arrived in Quelimane today, 2021Price on Request

Cindy Ji Hye KimMosaic Tale, 2023Price on Request

Saelia AparicioSheela na gig, 2022500 GBP

Sung TieuMonopole d’État, 202520000 EUR

Artist

Georgie Nettell

B.1984, British

Georgie Nettell’s practice could be defined as a revisiting of the tactics of institutional critique in a post-Fordist, neo-liberal present when the artist as creative worker is deemed role model for everyday life. Through various mediums including painting, photography, sculpture and video, Nettell has critiqued the value of the artwork in the gallery, the artist as producer, the aesthetics of minimalism and abstraction, the creative worker in the home, and what she has called the “fascism of everyday life”, often demonstrating the very process of critique and what is being critiqued in the doing. Nettell’s work, in performing the now-familiar ironic turn towards one’s own complicity in the reproduction of voracious consumer capitalism, bears an aesthetic equivalent to the work’s instigating problematic: the near-monochromatic lifelessness of a repackaged and repurposed disobedience. ...

Georgie Nettell: Artworks

Georgie NettellPunks Not Dead It's Different, 2015Price on Request

Georgie NettellThe Domino Effect, 2020Price on Request

Georgie NettellThe Ripple Effect, 2020Price on Request

Georgie NettellNatural Language 2, 2018Price on Request

Georgie NettellNatural Language 1, 2018Price on Request

Georgie NettellThe one thing I learnt from 2008, 2020Price on Request

Georgie NettellNatural Language (Civilisation), 2018Price on Request

Georgie Nettellspeculative fiction 2 (blue), 2018Price on Request

Georgie Nettellspeculative fiction 1 (red), 2018Price on Request

Georgie NettellSentiment Analysis (Byron Burger), 2016Price on Request

Georgie NettellCereal Killer Cafe, 139 Brick Lane, E1 6SB, 2016Price on Request

Georgie NettellUltra 2, 2011Price on Request

Georgie NettellUltra 1, 2011Price on Request

Georgie NettellOpportunity 4, 2015Price on Request

Georgie NettellOpportunity 3, 2015Price on Request

Georgie NettellPunks Not Dead It's Different, 2015Price on Request

Gallery

Project Native Informant

London

Contemporary art gallery established in 2013 with a strong interest in expanded institutional critique. Project Native Informant works with 16 artists and collectives, producing 5-6 exhibitions per year and hosting performances, concerts, talks and events.