Georgie Nettell

speculative fiction 1 (red), 20188.5 x 10 x 3cmPrice on Request

Details

MaterialGalleryLocation

plastic button and pre-recorded sound messageProject Native InformantLondon

Description

Human-crafted. AI-refined.

The artwork features a hexagonal, pink-colored object with the text "PUSH/DRUECKEN" and quotation marks prominently displayed. The simple, minimalist design and use of bold colors create a striking visual composition. The subject matter appears to be a push button or door sign, though the intentional mirroring of the German and English text adds a layer of playful ambiguity. The artwork's style and technique convey a modern, conceptual approach that may comment on themes of language, interaction, or the function of everyday objects in the public space. ...

Similar Artworks

Morag KeilAccessorize, 20186500 GBP

Celia HemptonSELF PORTRAIT, 12TH OCTOBER, 2023Price on Request

Ed FornielesThe Here After, 2016Price on Request

Lloyd CorporationI used to work for DHL back in the 90's..., 2016Price on Request

Flo BrooksNew Teenager Here Comes Trouble, 20181000 GBP

Morag KeilHelmet, 2017Price on Request

Corey HaymanStill Life (Trojan Sounds), 2019Price on Request

Cindy Ji Hye KimEgo Pathétique, 2021Price on Request

Saelia AparicioSheela na gig, 2022500 GBP

Celia HemptonVANCOUVER, CANADA, 8TH APRIL, 2021Price on Request

Sung TieuMonopole d’État, 202520000 EUR

Artist

Georgie Nettell

1984 , British

Georgie Nettell’s practice could be defined as a revisiting of the tactics of institutional critique in a post-Fordist, neo-liberal present when the artist as creative worker is deemed role model for everyday life. Through various mediums including painting, photography, sculpture and video, Nettell has critiqued the value of the artwork in the gallery, the artist as producer, the aesthetics of minimalism and abstraction, the creative worker in the home, and what she has called the “fascism of everyday life”, often demonstrating the very process of critique and what is being critiqued in the doing. Nettell’s work, in performing the now-familiar ironic turn towards one’s own complicity in the reproduction of voracious consumer capitalism, bears an aesthetic equivalent to the work’s instigating problematic: the near-monochromatic lifelessness of a repackaged and repurposed disobedience. ...

Georgie Nettell: Artworks

Georgie NettellThe one thing I learnt from 2008, 2020Price on Request

Georgie NettellNatural Language (Civilisation), 2018Price on Request

Georgie Nettellspeculative fiction 2 (blue), 2018Price on Request

Georgie Nettellspeculative fiction 1 (red), 2018Price on Request

Georgie NettellSentiment Analysis (Byron Burger), 2016Price on Request

Georgie NettellCereal Killer Cafe, 139 Brick Lane, E1 6SB, 2016Price on Request

Georgie NettellUltra 1, 2011Price on Request

Georgie NettellOpportunity 4, 2015Price on Request

Georgie NettellOpportunity 3, 2015Price on Request

Georgie NettellPunks Not Dead It's Different, 20156000 GBP

Georgie NettellThe Domino Effect, 20202000 GBP

Georgie NettellThe Ripple Effect, 20202000 GBP

Georgie NettellNatural Language 2, 20184500 GBP

Georgie NettellNatural Language 1, 20183000 GBP

Georgie NettellUltra 2, 20116000 GBP

Georgie NettellPunks Not Dead It's Different, 20156000 GBP

Gallery

Project Native Informant

London

Contemporary art gallery established in 2013 with a strong interest in expanded institutional critique. Project Native Informant works with 16 artists and collectives, producing 5-6 exhibitions per year and hosting performances, concerts, talks and events.