Georgie Nettell
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Description
Human-crafted. AI-refined.This contemporary art display features a series of large photographic prints arranged to spell out the word "CIVILISATION". The visuals combine a variety of abstract and surreal elements, including geometric shapes, unusual patterns, and distorted or fragmented objects. The artist employs a bold, graphic style, utilizing striking contrasts in color, form, and scale to create a visually captivating and thought-provoking experience. This work likely explores themes of modern society, technology, and the human condition, inviting the viewer to consider the complexities and contradictions that shape our collective "civilization". ...
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Georgie Nettell
1984, BritishGeorgie Nettell’s practice could be defined as a revisiting of the tactics of institutional critique in a post-Fordist, neo-liberal present when the artist as creative worker is deemed role model for everyday life. Through various mediums including painting, photography, sculpture and video, Nettell has critiqued the value of the artwork in the gallery, the artist as producer, the aesthetics of minimalism and abstraction, the creative worker in the home, and what she has called the “fascism of everyday life”, often demonstrating the very process of critique and what is being critiqued in the doing. Nettell’s work, in performing the now-familiar ironic turn towards one’s own complicity in the reproduction of voracious consumer capitalism, bears an aesthetic equivalent to the work’s instigating problematic: the near-monochromatic lifelessness of a repackaged and repurposed disobedience. ...
Georgie Nettell: Artworks
Project Native Informant
LondonContemporary art gallery established in 2013 with a strong interest in expanded institutional critique. Project Native Informant works with 16 artists and collectives, producing 5-6 exhibitions per year and hosting performances, concerts, talks and events.