Georgie Nettell

The Ripple Effect, 202047 x 36.5 x 3.7cmPrice on Request

Details

MaterialGallery

pen on paper, custom artist frameProject Native Informant

Description

Human-crafted. AI-refined.

This contemporary artwork features a bold, bright blue background that contrasts with the central image. The image itself appears to be a collage or photographic composite, with text overlaying a white, distorted, and fragmented composition. The text prominently features the phrase "ADVANCED VISUALISATION" repeated multiple times, suggesting a focus on innovative visual techniques and presentation. The overall style is minimal and conceptual, with the artwork likely commenting on the role of advanced visualization and its impact on perception or communication. The artist's intention may be to explore the relationship between technology, imagery, and the viewer's experience. ...

Similar Artworks

Cindy Ji Hye KimCapita: The Face and Its Name, 2021Price on Request

Saelia AparicioJi, 20237000 GBP

Ed FornielesA Happy Ending, 2021Price on Request

Lloyd CorporationBankrupt. Bulk Buy. Liquidation. Repossession (Classified / Cyan), 2017Price on Request

Morag KeilEye Painting 3 & Eye Painting 4, 2019Price on Request

Flo BrooksNew Teenager Here Comes Trouble, 2018Price on Request

Corey HaymanStill Life (Trojan Sounds), 2019Price on Request

Saelia AparicioProposal of a monument to alien species, 2022Price on Request

Cassi NamodaA Holy Spirit of conviction, 2021Price on Request

Cindy Ji Hye KimHaunt of the Wild Beast, 202334000 USD

Sung TieuViews From A Sedan Chair, (End), 202522000 EUR

Artist

Georgie Nettell

B.1984, British

Georgie Nettell’s practice could be defined as a revisiting of the tactics of institutional critique in a post-Fordist, neo-liberal present when the artist as creative worker is deemed role model for everyday life. Through various mediums including painting, photography, sculpture and video, Nettell has critiqued the value of the artwork in the gallery, the artist as producer, the aesthetics of minimalism and abstraction, the creative worker in the home, and what she has called the “fascism of everyday life”, often demonstrating the very process of critique and what is being critiqued in the doing. Nettell’s work, in performing the now-familiar ironic turn towards one’s own complicity in the reproduction of voracious consumer capitalism, bears an aesthetic equivalent to the work’s instigating problematic: the near-monochromatic lifelessness of a repackaged and repurposed disobedience. ...

Georgie Nettell: Artworks

Georgie NettellPunks Not Dead It's Different, 2015Price on Request

Georgie NettellThe Domino Effect, 2020Price on Request

Georgie NettellThe Ripple Effect, 2020Price on Request

Georgie NettellNatural Language 2, 2018Price on Request

Georgie NettellNatural Language 1, 2018Price on Request

Georgie NettellThe one thing I learnt from 2008, 2020Price on Request

Georgie NettellNatural Language (Civilisation), 2018Price on Request

Georgie Nettellspeculative fiction 2 (blue), 2018Price on Request

Georgie Nettellspeculative fiction 1 (red), 2018Price on Request

Georgie NettellSentiment Analysis (Byron Burger), 2016Price on Request

Georgie NettellCereal Killer Cafe, 139 Brick Lane, E1 6SB, 2016Price on Request

Georgie NettellUltra 2, 2011Price on Request

Georgie NettellUltra 1, 2011Price on Request

Georgie NettellOpportunity 4, 2015Price on Request

Georgie NettellOpportunity 3, 2015Price on Request

Georgie NettellPunks Not Dead It's Different, 2015Price on Request

Gallery

Project Native Informant

London

Contemporary art gallery established in 2013 with a strong interest in expanded institutional critique. Project Native Informant works with 16 artists and collectives, producing 5-6 exhibitions per year and hosting performances, concerts, talks and events.