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This contemporary art piece features a vibrant blue background that frames a collage of stylized faces in shades of red and blue. The abstract, geometric shapes create a sense of fragmentation and movement, conveying a dynamic, almost kaleidoscopic visual effect. The faces, while recognizable as human, are rendered in an expressionistic, fragmented manner, suggesting themes of identity, individuality, and interconnectedness. The artist's use of bold colors, geometric patterns, and experimental collage techniques reflects a postmodern, pop art-inspired sensibility, inviting the viewer to consider the complexities of human identity and modern society. ...
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Georgie Nettell
B.1984, BritishGeorgie Nettell’s practice could be defined as a revisiting of the tactics of institutional critique in a post-Fordist, neo-liberal present when the artist as creative worker is deemed role model for everyday life. Through various mediums including painting, photography, sculpture and video, Nettell has critiqued the value of the artwork in the gallery, the artist as producer, the aesthetics of minimalism and abstraction, the creative worker in the home, and what she has called the “fascism of everyday life”, often demonstrating the very process of critique and what is being critiqued in the doing. Nettell’s work, in performing the now-familiar ironic turn towards one’s own complicity in the reproduction of voracious consumer capitalism, bears an aesthetic equivalent to the work’s instigating problematic: the near-monochromatic lifelessness of a repackaged and repurposed disobedience. ...
Project Native Informant
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