This black-and-white photograph captures a man standing in a characteristic street fashion uniform. The image focuses on the visual elements of his attire, including the navy construction cap, long-sleeved white shirt, and work boots. The overall composition and the man's centered, arms-crossed stance suggest a documentary style that aims to document this specific style of dress. The context indicates that this uniform represents a common "street fashion" in a particular time and place, likely reflecting the practical needs and cultural influences of the wearer's work or community. ...
Hal Fischer is a San Francisco-based artist who works in photography, text and performance. One of the prominent figures of American conceptual photography of the 1970s, his work is documentation and celebration of "the gay universe", which was San Francisco's Castro and Haight-Ashbury districts for Fischer. His series, such as Gay Semiotics and 18th Near Castro Street x 24, are projects consisting of photo texts documenting cruising gay men in the city's streets. The writing over the black and white photographs of men in Gay Semiotics reveals a "hanky code", signs that indicate one's sexual preference and that are visible to all but can only be seen by the members of the gay community. Fischer's photography is quiet in its everydayness; it is unapologetic in its honesty, overflowing with 1970s Pride. Born in 1950, US, Hal Fischer's four-decade-long career spans across photography, art criticism and museum management. His work is part of collections, such as the Museum of Modern Art New York and San Francisco Museum of Modern Art, among others. His usage of photo-text medium is one of the pioneering projects merging conceptual photography with linguistic structuralist movement. ...
Contemporary art gallery established in 2013 with a strong interest in expanded institutional critique. Project Native Informant works with 16 artists and collectives, producing 5-6 exhibitions per year and hosting performances, concerts, talks and events.
