Narcisse - Gesto III - 7ª versão

Hudinilson Jr.

Narcisse - Gesto III - 7ª versão, 198632 x 24.5cmSign in to view price
Details
MaterialGallery
photocopy on paperMartins&Montero
Description
Human-crafted. AI-refined.

This abstract work features a grid-like composition composed of numerous black and white photographic panels. The overall image is a fragmented representation of an animal, likely a gorilla, with the individual elements creating a mosaic-like visual effect. The artist employs a distinctive photographic technique, utilizing the grid structure to deconstruct the subject and explore the relationship between the whole and its parts. This piece reflects the artist's interest in investigating the boundaries between representation and abstraction, inviting the viewer to consider the interplay between the recognizable and the distorted. ...

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Untitled
Artist
Hudinilson Jr.
B.1957, Brazilian

Hudinilson Jr. was one of the most important Brazilian artists of his generation, influencing the entire Brazilian artistic scene, not only through his personal work - produced between the 70s and 2000s - but also because of his active role as a catalyzing personality of artist groups and experimental exhibitions. Photocopy - the technique that became his favorite over the years both for practical and conceptual reasons - began to interest Hudinilson between 1977 and 1978. During this period, the artist learned to operate the machine to its limit, exploring all possible graphic possibilities; he enlarged details, cut them, widened again, distorting the images of his body to the point where they became pure abstract texture. He said that this exercise meant loosing oneself to seeing, an “exercise of seeing myself”, as he would latter name many of his series. ...

Hudinilson Jr.: Artworks
Narcisse - Gesto II
Hudinilson Jr.
Narcisse - Gesto II, 1986
23 x 31cm
Narcisse - Gesto III - 7ª versão
Hudinilson Jr.
Narcisse - Gesto III - 7ª versão, 1986
32 x 24.5cm
Gesto IV
Hudinilson Jr.
Gesto IV, 1986
20.5 x 23.5cm
Untitled
Hudinilson Jr.
Untitled, 1976
20 x 32.5cm
Untitled
Hudinilson Jr.
Untitled, 1982
66 x 66 x 7cm
Untitled
Hudinilson Jr.
Untitled, 1976
19 x 27.5cm
Auto-retrato, from the series Exercício de me ver
Hudinilson Jr.
Auto-retrato, from the series Exercício de me ver, 1981
34.2 x 25.3 x 3cm
Amantes e casos, Ménage à trois
Hudinilson Jr.
Amantes e casos, Ménage à trois, 1978
45 x 70cm
Untitled
Hudinilson Jr.
Untitled, 1980
176.5 x 101cm
Untitled
Hudinilson Jr.
Untitled, 1990
33 x 21.5cm
Untitled
Hudinilson Jr.
Untitled, 1980
23.5 x 16.5cm
Untitled
Hudinilson Jr.
Untitled, 1982
75 x 112cm
Untitled
Hudinilson Jr.
Untitled, 1982
75 x 112cm
Untitled
Hudinilson Jr.
Untitled, 1982
75 x 112cm
Untitled
Hudinilson Jr.
Untitled, 1982
75 x 112cm
Untitled
Hudinilson Jr.
Untitled, 1982
75 x 112cm
Untitled
Hudinilson Jr.
Untitled, 1970
35 x 45.5cm
Untitled
Hudinilson Jr.
Untitled, 1970
35 x 45.5cm
Martins&Montero
Gallery
Martins&Montero
Brussels, São Paulo

Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...

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