Untitled
Details
MaterialGallery
Mixed media on canvasProyectos Ultravioleta
Description
Human-crafted. AI-refined.

This abstract painting features a warm, organic color palette dominated by various shades of orange and yellow. The brushstrokes are energetic and expressive, creating a sense of movement and dynamism across the canvas. The overall composition is balanced, with a harmonious interplay of light and shadow, and a harmonious flow of colors. Though abstract, the piece suggests natural forms and landscapes, hinting at the artist's intention to explore the emotive qualities of color and texture. This abstract work exemplifies the artist's experimental approach and their desire to evoke an emotional response through the sensory experience of the medium. ...

Similar Artworks
Untitled
Elisabeth Wild
Untitled, 2019
21.5 x 17.5cm
Mujeres venezolanas en la frontera con Colombia
Teresa Margolles
Mujeres venezolanas en la frontera con Colombia, 2019
120 x 180cm
As the space between the land and sky when I reach and say “CIEN"
Hellen Ascoli
As the space between the land and sky when I reach and say “CIEN", 2021
60 x 20cm
Window in Spring
Maria Pinińska-Bereś
Window in Spring, 1976
145 x 206 x 53cm
The Love Doll / Day 14 (Candy)
Laurie Simmons
The Love Doll / Day 14 (Candy), 2010
177.8 x 119.4cm
Smudged With the Sky
Maria Pinińska-Bereś
Smudged With the Sky, 1985
135 x 192 x 110cm
Doce crónicas
Teresa Margolles
Doce crónicas, 2022
50 x 40 x 40cm
Untitled
Elisabeth Wild
Untitled, 2016
22 x 22.5cm
El Capital te culea (Teatro Chile)
Teresa Margolles
El Capital te culea (Teatro Chile), 2019
150 x 225cm
Tourism: Moonwalk Apollo II Mission
Laurie Simmons
Tourism: Moonwalk Apollo II Mission, 1984
101.6 x 152cm
Cierto Nomadismo: Llorar Tierra
Hellen Ascoli
Cierto Nomadismo: Llorar Tierra, 2024
98 x 84cm
Country Road
Laurie Simmons
Country Road, 1984
152.4 x 101.6cm
The Banner
Maria Pinińska-Bereś
The Banner, 1980
15.8 x 22.8cm
Somos Tejidos
Hellen Ascoli
Somos Tejidos, 2024
105 x 107cm
Untitled
Ajuste de cuentas
Teresa Margolles
Ajuste de cuentas, 2009
4 x 4 x 1cm
Walking Glove
Laurie Simmons
Walking Glove, 1991
213.4 x 121.9cm
La memoria es la insistencia de recordar // Memory is the insistence of remembering
Hellen Ascoli
La memoria es la insistencia de recordar // Memory is the insistence of remembering, 2020
125 x 140cm
Women. Sketches for the Corsets
Maria Pinińska-Bereś
Women. Sketches for the Corsets, 1957
29.5 x 41.8cm
Blonde/Pink Dress/Standing Corner
Laurie Simmons
Blonde/Pink Dress/Standing Corner, 2014
177.8 x 121.9cm
Window and Demons II
Maria Pinińska-Bereś
Window and Demons II, 1996
82 x 44 x 11cm
Somos Seres Entretejidos
Hellen Ascoli
Somos Seres Entretejidos, 2024
60 x 15 x 4cm
Bathing Suit
Laurie Simmons
Bathing Suit, 1984
152.4 x 101.6cm
Untitled
Elisabeth Wild
Untitled, 2017
19.5 x 21cm
Laundry II
liebenmussen
Miriam Cahn
liebenmussen, 2018
46 x 57cm
Purple Woman / Gray Chair / Green Rug / Painting
Laurie Simmons
Purple Woman / Gray Chair / Green Rug / Painting, 1978
12.7 x 8.9cm
Spiral Nebula (Large)
Kiki Smith
Spiral Nebula (Large), 2017
81.3 x 63.5 x 5.6cm
I have (already) felt you
Hellen Ascoli
I have (already) felt you, 2019
120 x 100cm
Teach us to Outgrow our Madness
Alfredo Jaar
Teach us to Outgrow our Madness, 2020
50.8 x 50.8cm
Okno. De-konstrukcja kryzywej wieży [Window. De-Construction of the Leaning Tower]
Maria Pinińska-Bereś
Okno. De-konstrukcja kryzywej wieży [Window. De-Construction of the Leaning Tower], 1992
47 x 43 x 9cm
Untitled
Elisabeth Wild
Untitled, 2015
22.5 x 24.3cm
D'après La Bataille d'Alger (1966) de Gillo Pontecorvo
Zineb Sedira
D'après La Bataille d'Alger (1966) de Gillo Pontecorvo, 2021
84 x 57cm
Tela Venezuela
Teresa Margolles
Tela Venezuela, 2019
210 x 210cm
Vivian Suter
Artist
Vivian Suter
B.1949, Argentinian

Vivian Suter is a Swiss-Argentinian painter, who has lived and worked on a former coffee plantation in Panajachel, Guatemala since 1982. Her home and studio is built high up in the mountains, surrounded by rainforests and below, sits the volcano-ringed Lake Atitlán. When Suter first moved to this location, she began making incredibly precise, geometric compositions, yet Hurricane Stan in 2005 dramatically shifted her working methods. In the destruction of the hurricane a landslide had damaged many of her works. Whilst attempting to repair these paintings, Suter became interested in the imprints nature had left upon her canvases, dismantling her position as the sole author of these creations. From this point on, Suter started to work outside, gesturally painting the lush leaves, mountain silhouettes and magnetic sunsets that she was immersed in. Openly inviting a sense of collaboration with her immediate habitat, Suter mixes her oils, pigments and acrylics with rainwater and leaves her unstretched canvases out to hang amongst the trees. They inevitably collect mud and markings from nature, but these additions breathe a sense of vitality into each canvas. Reminiscent of the work of Helen Frankenthaler or Etel Adnan, these joyful works pulse with immense adoration for nature. Moving in and out of figuration and abstraction, they capture the sense of intimacy Suter has cultivated with Panajachel and the evident gratitude she has for this slice of the rainforest. ...

Vivian Suter: Artworks
Untitled
Untitled
Untitled
Vivian Suter
Untitled
265.2 x 175.1cm
Untitled
Untitled
Untitled
Untitled
Untitled
Untitled
Untitled
Untitled
Untitled
Untitled
Untitled
Untitled
Proyectos Ultravioleta
Gallery
Proyectos Ultravioleta
Guatemala City

Proyectos Ultravioleta was founded in Guatemala City in 2009 as an independent artist-run space, and has since established itself as a leading voice in contemporary art in Latin America and beyond.

Unlock Price & Inquiry Access