This abstract painting features a warm, organic color palette dominated by various shades of orange and yellow. The brushstrokes are energetic and expressive, creating a sense of movement and dynamism across the canvas. The overall composition is balanced, with a harmonious interplay of light and shadow, and a harmonious flow of colors. Though abstract, the piece suggests natural forms and landscapes, hinting at the artist's intention to explore the emotive qualities of color and texture. This abstract work exemplifies the artist's experimental approach and their desire to evoke an emotional response through the sensory experience of the medium. ...
Vivian Suter is a Swiss-Argentinian painter, who has lived and worked on a former coffee plantation in Panajachel, Guatemala since 1982. Her home and studio is built high up in the mountains, surrounded by rainforests and below, sits the volcano-ringed Lake Atitlán. When Suter first moved to this location, she began making incredibly precise, geometric compositions, yet Hurricane Stan in 2005 dramatically shifted her working methods. In the destruction of the hurricane a landslide had damaged many of her works. Whilst attempting to repair these paintings, Suter became interested in the imprints nature had left upon her canvases, dismantling her position as the sole author of these creations. From this point on, Suter started to work outside, gesturally painting the lush leaves, mountain silhouettes and magnetic sunsets that she was immersed in. Openly inviting a sense of collaboration with her immediate habitat, Suter mixes her oils, pigments and acrylics with rainwater and leaves her unstretched canvases out to hang amongst the trees. They inevitably collect mud and markings from nature, but these additions breathe a sense of vitality into each canvas. Reminiscent of the work of Helen Frankenthaler or Etel Adnan, these joyful works pulse with immense adoration for nature. Moving in and out of figuration and abstraction, they capture the sense of intimacy Suter has cultivated with Panajachel and the evident gratitude she has for this slice of the rainforest. ...
francesca kaufmann gallery opened in January 2000. Since then, the gallery has aimed to explore a diverse range of media, with a focus on video, site specific installation, and a special attention towards the works of female artists. After ten years in its historical location, the gallery opened in a new space in October 2010, under the name kaufmann repetto, to mark the partnership between Francesca Kaufmann and Chiara Repetto. In its new location, the gallery has been able to further develop its exhibition programming through a project space dedicated predominantly to younger artists, as well as a courtyard for large scale outdoor installations, which run parallel to the gallery’s main exhibition schedule. In 2013, the gallery inaugurated a new location in Chelsea, New York, with a parallel program to the gallery’s main space in Milan. In 2019 the New York location moved to Tribeca, expanding to a 3,000 sq ft exhibition space. The inaugural exhibition at the gallery’s new space in Tribeca was a solo show by Lily van der Stokker. ...
