Untitled

Hudinilson Jr.

Untitled, 199033 x 21.5cmPrice on Request
Details
MaterialGalleryLocation
photocopy on paperMartins&MonteroBrussels
Description
Human-crafted. AI-refined.

This striking black and white photographic series showcases a minimalist aesthetic. The six framed images feature abstract, graphic compositions of bold, contrasting shapes and textures. The predominant use of high-contrast monochrome lends an austere, contemplative mood, drawing the viewer's attention to the interplay of light and shadow. The artist's skillful use of photographic techniques, such as dramatic chiaroscuro and textured surfaces, creates a visually compelling and conceptual body of work. While the subject matter remains ambiguous, the series invites the viewer to meditate on themes of form, space, and the essence of the photographic medium itself. ...

Similar Artworks
Memento Mori
Carlos MottaMemento Mori, 20199000 USD
Untitled
Vivian SuterUntitled, null42000 USD
Methamorphosys II
Lydia OkumuraMethamorphosys II, 1981Price on Request
Untitled
Antonio TarsisUntitled, 202325000 USD
Anéis de Saturno
Regina VaterAnéis de Saturno, 1987Price on Request
Untitled
Adriano AmaralUntitled, 2020Price on Request
We Who Feel Differently
Carlos MottaWe Who Feel Differently, 201216500 USD
Lagos still life II
Wolfgang TillmansLagos still life II, 202212000 EUR
B as Bravo Octagon
Pouran JinchiB as Bravo Octagon, 201718000 USD
Untitled
Artist
Hudinilson Jr.
1957 , Brazilian

Hudinilson Jr. was one of the most important Brazilian artists of his generation, influencing the entire Brazilian artistic scene, not only through his personal work - produced between the 70s and 2000s - but also because of his active role as a catalyzing personality of artist groups and experimental exhibitions. Photocopy - the technique that became his favorite over the years both for practical and conceptual reasons - began to interest Hudinilson between 1977 and 1978. During this period, the artist learned to operate the machine to its limit, exploring all possible graphic possibilities; he enlarged details, cut them, widened again, distorting the images of his body to the point where they became pure abstract texture. He said that this exercise meant loosing oneself to seeing, an “exercise of seeing myself”, as he would latter name many of his series. ...

Hudinilson Jr.: Artworks
Narcisse - Gesto II
Hudinilson Jr.Narcisse - Gesto II, 1986Price on Request
Narcisse - Gesto III - 7ª versão
Hudinilson Jr.Narcisse - Gesto III - 7ª versão, 1986Price on Request
Gesto IV
Hudinilson Jr.Gesto IV, 1986Price on Request
Untitled
Hudinilson Jr.Untitled, 1976Price on Request
Untitled
Hudinilson Jr.Untitled, 1982Price on Request
Untitled
Hudinilson Jr.Untitled, 1976Price on Request
Auto-retrato, from the series Exercício de me ver
Hudinilson Jr.Auto-retrato, from the series Exercício de me ver, 1981Price on Request
Amantes e casos, Ménage à trois
Hudinilson Jr.Amantes e casos, Ménage à trois, 1978Price on Request
Untitled
Hudinilson Jr.Untitled, 1980Price on Request
Untitled
Hudinilson Jr.Untitled, 1990Price on Request
Untitled
Hudinilson Jr.Untitled, 1980Price on Request
Untitled
Hudinilson Jr.Untitled, 1982Price on Request
Untitled
Hudinilson Jr.Untitled, 1982Price on Request
Untitled
Hudinilson Jr.Untitled, 1982Price on Request
Untitled
Hudinilson Jr.Untitled, 1982Price on Request
Untitled
Hudinilson Jr.Untitled, 1982Price on Request
Untitled
Hudinilson Jr.Untitled, 1982Price on Request
Untitled
Hudinilson Jr.Untitled, 1970Price on Request
Untitled
Hudinilson Jr.Untitled, 1970Price on Request
Martins&Montero
Gallery
Martins&Montero
Brussels, São Paulo

Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...