Untitled

Hudinilson Jr.

Untitled, 198275 x 112cm17149 USD
Details
MaterialGallery
photocopy on paperMartins&Montero
Description
Human-crafted. AI-refined.

This black and white artwork features a collage of textured and abstracted shapes, with prominent use of diagonal lines and angular forms. The composition has a sense of dynamism and movement, with areas of dense, overlapping patterns juxtaposed against more open, sparse spaces. The inclusion of red accents adds a striking contrast, drawing the viewer's attention to specific elements. The overall style and technique suggest an experimental, expressionist approach, likely intended to evoke a visceral, emotional response from the viewer. The work appears to be a mid-20th century abstract composition, capturing the spirit of innovation and bold artistic exploration during that period. ...

Similar Artworks
Untitled
Vivian SuterUntitled, nullPrice on Request
Z as Zulu 3
Pouran JinchiZ as Zulu 3, 2017Price on Request
Untitled I, Medellin Biennial, Colombia, 1981; SP 2017
Lydia OkumuraUntitled I, Medellin Biennial, Colombia, 1981; SP 2017, 198147500 USD
Untitled
Antonio TarsisUntitled, 2023Price on Request
Untitled
Vivian SuterUntitled, nullPrice on Request
Mike
Pouran JinchiMike, 2016Price on Request
Untitled (from the Deserto - Modelo series )
Lucas ArrudaUntitled (from the Deserto - Modelo series ), 2019Price on Request
Untitled (Tattoo 7, A and B)
Rosângela RennóUntitled (Tattoo 7, A and B), 1997Price on Request
Rio to Oiticica
Regina VaterRio to Oiticica, 19796859 USD
AIDS IS
Carlos MottaAIDS IS, 20193900 USD
the appearance
Lydia Okumurathe appearance, 197517000 USD
Lagos still life II
Wolfgang TillmansLagos still life II, 202212000 EUR
Untitled
Artist
Hudinilson Jr.
B.1957, Brazilian

Hudinilson Jr. was one of the most important Brazilian artists of his generation, influencing the entire Brazilian artistic scene, not only through his personal work - produced between the 70s and 2000s - but also because of his active role as a catalyzing personality of artist groups and experimental exhibitions. Photocopy - the technique that became his favorite over the years both for practical and conceptual reasons - began to interest Hudinilson between 1977 and 1978. During this period, the artist learned to operate the machine to its limit, exploring all possible graphic possibilities; he enlarged details, cut them, widened again, distorting the images of his body to the point where they became pure abstract texture. He said that this exercise meant loosing oneself to seeing, an “exercise of seeing myself”, as he would latter name many of his series. ...

Hudinilson Jr.: Artworks
Untitled
Hudinilson Jr.Untitled, 19769146 USD
Untitled
Hudinilson Jr.Untitled, 198217149 USD
Untitled
Hudinilson Jr.Untitled, 19768003 USD
Auto-retrato, from the series Exercício de me ver
Hudinilson Jr.Auto-retrato, from the series Exercício de me ver, 1981Price on Request
Amantes e casos, Ménage à trois
Hudinilson Jr.Amantes e casos, Ménage à trois, 197851448 USD
Untitled
Hudinilson Jr.Untitled, 198028582 USD
Narcisse - Gesto II
Hudinilson Jr.Narcisse - Gesto II, 1986Price on Request
Narcisse - Gesto III - 7ª versão
Hudinilson Jr.Narcisse - Gesto III - 7ª versão, 1986Price on Request
Gesto IV
Hudinilson Jr.Gesto IV, 1986Price on Request
Untitled
Hudinilson Jr.Untitled, 19908003 USD
Untitled
Hudinilson Jr.Untitled, 1980Price on Request
Untitled
Hudinilson Jr.Untitled, 198217149 USD
Untitled
Hudinilson Jr.Untitled, 198217149 USD
Untitled
Hudinilson Jr.Untitled, 198217149 USD
Untitled
Hudinilson Jr.Untitled, 198217149 USD
Untitled
Hudinilson Jr.Untitled, 198217149 USD
Untitled
Hudinilson Jr.Untitled, 19708003 USD
Untitled
Hudinilson Jr.Untitled, 19708003 USD
Martins&Montero
Gallery
Martins&Montero
Brussels, São Paulo

Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...