Piece of I Day 1 and Drooping Skin Day 2,

Ieva Kraule-Kūna

Piece of I Day 1 and Drooping Skin Day 2,, 2016Sign in to view price
Details
Material
soapstone, synthetic hair
Description
Human-crafted. AI-refined.

This minimalist artwork features a simple, smooth white stone or pebble, delicately wrapped in an intricate web of golden threads or strings. The composition emphasizes the contrast between the organic, natural form of the stone and the meticulously crafted, geometric pattern of the golden threads. The use of a limited color palette of white and gold creates a sense of elegance and refined simplicity. The artist seems to explore the interplay between the natural and the artificial, as well as the tension between the rigid and the fluid. The overall effect is a visually striking and thought-provoking piece that invites the viewer to contemplate the relationship between material, form, and artistic expression. ...

Similar Artworks
Atgriezties
Daiga GrantinaAtgriezties, 2023
120 x 70 x 15cm
Crop Pocket
High Point
Olivia ErlangerHigh Point, 2020
114.3 x 76.2 x 76.2cm
Untitled (legs)
HaeAhn Woo KwonUntitled (legs), 2022
59.7 x 45.7cm
Visiting Relatives
Jeans Pocket
Imix
Lorena AnconaImix, 2018
164 x 155 x 32cm
Loop (4.6 billion BC)
Pivot II
Sable Elyse SmithPivot II, 2019
142.2 x 142.2 x 142.2cm
Sound Blanket No. 2
Jacqueline Kiyomi GorkSound Blanket No. 2, 2018
104 x 60.1 x 25.5cm
Ieva Kraule-Kūna
Artist
Ieva Kraule-Kūna
B.1987

Through installations and assemblages made from ceramics, stone, metal, fabrics and found objects, Ieva Kraule-Kūna explores the aftermath of the fall of the Soviet Union in the post-Soviet Baltics, Soviet architecture, the essence of an artistic act and fetishism. Her sculptural work is usually accompanied by absurdist short stories that follow the adventures of fictional characters, intertwined with distorted historical facts. Kraule-Kūna’s practice is informed by her experiences and memories of growing up in the 1990s Rīga, times defined by confusion, both economic, cultural and interpersonal. Relating that time to today, the artist makes observations about the state of the global art world and the impact of art-making on societies. With artist Elīna Vītola, Kraule-Kūna runs the Artist Crisis Centre, a space of comfort and solidarity that provides a shelter for unwanted art and a help call centre. Merging imagined absurdity with real-life individual and cultural trauma, Kraule-Kūna’s works are eloquent narrators of both fiction and fact, past and present. ...

Unlock Price & Inquiry Access