Details
Material
glazed ceramic, string, book of french poetry translated in latvian
Description
Human-crafted. AI-refined.

This minimalist sculpture features contrasting shapes and materials. The composition centers on a plain, white rectangular block supported by two organic, bent bronze forms that resemble human limbs. The striking visual contrast between the geometric and the organic elements, as well as the juxtaposition of the rigid and the fluid, create a captivating tension. The artist's skilled manipulation of form and medium suggests an exploration of the relationship between the human body and the inanimate object, inviting the viewer to contemplate themes of support, balance, and the interplay between function and expression. ...

Similar Artworks
Envoi
Daiga GrantinaEnvoi, 2022
37 x 100 x 14cm
Sweet Carbs
Carmen ArgoteSweet Carbs, 2020
82 x 62 x 4cm
Piss Moon Showerbase
HaeAhn Woo KwonPiss Moon Showerbase, 2021
24.1 x 31.8 x 3.2cm
Coloring Book 38
Sable Elyse SmithColoring Book 38, 2019
152.4 x 127cm
Muscle Brain (Die 35-36)
Coloring Book 29
Sable Elyse SmithColoring Book 29, 2019
152.4 x 127cm
Fat Painting
Alexandra NoelFat Painting, 2023
15.2 x 22.9 x 1.9cm
Coloring Book 62
Sable Elyse SmithColoring Book 62, 2020
152.4 x 127cm
Coloring Book 127
Sable Elyse SmithColoring Book 127, 2023
162 x 136.2 x 6cm
The Parasite
HaeAhn Woo KwonThe Parasite, 2016
5.1 x 25.4 x 25.4cm
Tornado in the Round II
A Painting as Big as a Calendar
8423 Days
Sable Elyse Smith8423 Days, 2020
121.9 x 101.6 x 5.1cm
Seated breath
Carmen ArgoteSeated breath, 2024
177 x 121 x 3cm
Untitled (legs)
HaeAhn Woo KwonUntitled (legs), 2022
59.7 x 45.7cm
Fructose
Carmen ArgoteFructose, 2020
51 x 40 x 4cm
Pivot II
Sable Elyse SmithPivot II, 2019
142.2 x 142.2 x 142.2cm
Visiting Relatives
Coloring Book 42
Sable Elyse SmithColoring Book 42, 2019
152.4 x 127cm
Pigeon
Carmen ArgotePigeon, 2024
124 x 172 x 3cm
Mr. Fujita Sees His First
Sensual transferrings
Coloring Book 36
Sable Elyse SmithColoring Book 36, 2019
152.4 x 127cm
Loop (4.6 billion BC)
Sound Blanket No. 10
Jacqueline Kiyomi GorkSound Blanket No. 10, 2022
157.5 x 139.7 x 27.9cm
Soft Sketch
Carmen ArgoteSoft Sketch, 2018
100 x 132 x 10cm
Trawling
Alexandra NoelTrawling, 2023
11.4 x 20.3 x 1.9cm
Riot I
Sable Elyse SmithRiot I, 2019
142.2 x 142.2 x 142.2cm
No One Said So
HaeAhn Woo KwonNo One Said So, 2022
45.7 x 15.2cm
Imix
Lorena AnconaImix, 2018
164 x 155 x 32cm
Ieva Kraule-Kūna
Artist
Ieva Kraule-Kūna
B.1987

Through installations and assemblages made from ceramics, stone, metal, fabrics and found objects, Ieva Kraule-Kūna explores the aftermath of the fall of the Soviet Union in the post-Soviet Baltics, Soviet architecture, the essence of an artistic act and fetishism. Her sculptural work is usually accompanied by absurdist short stories that follow the adventures of fictional characters, intertwined with distorted historical facts. Kraule-Kūna’s practice is informed by her experiences and memories of growing up in the 1990s Rīga, times defined by confusion, both economic, cultural and interpersonal. Relating that time to today, the artist makes observations about the state of the global art world and the impact of art-making on societies. With artist Elīna Vītola, Kraule-Kūna runs the Artist Crisis Centre, a space of comfort and solidarity that provides a shelter for unwanted art and a help call centre. Merging imagined absurdity with real-life individual and cultural trauma, Kraule-Kūna’s works are eloquent narrators of both fiction and fact, past and present. ...

Unlock Price & Inquiry Access