Details
Material
glazed ceramic, string, book of french poetry translated in latvian
Description
Human-crafted. AI-refined.

This minimalist sculpture features contrasting shapes and materials. The composition centers on a plain, white rectangular block supported by two organic, bent bronze forms that resemble human limbs. The striking visual contrast between the geometric and the organic elements, as well as the juxtaposition of the rigid and the fluid, create a captivating tension. The artist's skilled manipulation of form and medium suggests an exploration of the relationship between the human body and the inanimate object, inviting the viewer to contemplate themes of support, balance, and the interplay between function and expression. ...

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Ieva Kraule-Kūna
Artist
Ieva Kraule-Kūna
B.1987

Through installations and assemblages made from ceramics, stone, metal, fabrics and found objects, Ieva Kraule-Kūna explores the aftermath of the fall of the Soviet Union in the post-Soviet Baltics, Soviet architecture, the essence of an artistic act and fetishism. Her sculptural work is usually accompanied by absurdist short stories that follow the adventures of fictional characters, intertwined with distorted historical facts. Kraule-Kūna’s practice is informed by her experiences and memories of growing up in the 1990s Rīga, times defined by confusion, both economic, cultural and interpersonal. Relating that time to today, the artist makes observations about the state of the global art world and the impact of art-making on societies. With artist Elīna Vītola, Kraule-Kūna runs the Artist Crisis Centre, a space of comfort and solidarity that provides a shelter for unwanted art and a help call centre. Merging imagined absurdity with real-life individual and cultural trauma, Kraule-Kūna’s works are eloquent narrators of both fiction and fact, past and present. ...

Ieva Kraule-Kūna: Artworks
Drooping Skin
Piece of I Day 1 and Drooping Skin Day 2,
Ieva Kraule-Kūna
Piece of I Day 1 and Drooping Skin Day 2,, 2016
Same Face of I  (highlight and contour)
Ieva Kraule-Kūna
Same Face of I (highlight and contour), 2016
Not Really There
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