Feelings out of Season, (Sophocles, Fragments of Inachus): Recto, Verso, Emulsion, Base
Feelings out of Season, (Sophocles, Fragments of Inachus): Recto, Verso, Emulsion, Base
Feelings out of Season, (Sophocles, Fragments of Inachus): Recto, Verso, Emulsion, Base

Jeffrey Stuker

Feelings out of Season, (Sophocles, Fragments of Inachus): Recto, Verso, Emulsion, Base, 2023Sign in to view price
Details
Material
24,000 x 20,000 pixel light valve technology film-recordings onto ilford negatives, loupe, pedestal with built-in illumination designed by the artist
Description
Human-crafted. AI-refined.

This minimalist artwork features two black-and-white circular images displayed on a white pedestal. The compositions employ a stark, monochromatic palette with a focus on geometric forms and abstract patterns, showcasing a conceptual, minimalist approach. The artwork seems to explore themes of visual perception, space, and the interplay of light and shadow. The artist's intention may be to prompt the viewer to contemplate the nature of photography, representation, and the fundamental elements of visual art. ...

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Jeffrey Stuker
Artist
Jeffrey Stuker
B.1979, American

The most prominent subject of Stuker’s work over the past decade is mimicry, which, as Walter Benjamin asserted in his 1933 essay “The Mimetic Faculty,” is at the basis of all human learning. Today, of course, we can add that it is also at the basis of non-human learning. To evoke a paranoid scenario, this is basically how our cellphones are acceding to take our place in the world. And vice-versa, technological mimicry of human behaviors alerts us to a machinic element that was always already at work within us and perhaps accounts for the drive of the human animal to blend with its environment, to “depersonalize by assimilation to space,” as Roger Caillois described it in his 1936 text “Mimicry and Legendary Psychaesthenia.” If Stuker’s work has sought to trace this philosophical concept of mimicry, which emerges with critical force in the 1930s, it is in order to open its forms to the strange density of the synthetic nature of our era, with its preponderance of computational images. ...

Jeffrey Stuker: Artworks
Feelings out of Season, (Sophocles, Fragments of Inachus): Recto, Verso, Emulsion, Base
Jeffrey Stuker
Feelings out of Season, (Sophocles, Fragments of Inachus): Recto, Verso, Emulsion, Base, 2023
To the Satisfaction of the Botanist, I (Daphnis nerii caterpillar eating Vinca catharanthus leaves, Grand Sud, Madagascar, )
Jeffrey Stuker
To the Satisfaction of the Botanist, I (Daphnis nerii caterpillar eating Vinca catharanthus leaves, Grand Sud, Madagascar, ), 1952
72.4 x 62.2cm
To the Satisfaction of the Botanist, II (Daphnis nerii caterpillar eating Vinca catharanthus leaves, Grand Sud, Madagascar, )
Jeffrey Stuker
To the Satisfaction of the Botanist, II (Daphnis nerii caterpillar eating Vinca catharanthus leaves, Grand Sud, Madagascar, ), 1952
72.4 x 62.2cm
Vinca catharanthus, (L’Herbier du Muséum, Le Muséum national d'histoire naturelle, Paris)
Jeffrey Stuker
Vinca catharanthus, (L’Herbier du Muséum, Le Muséum national d'histoire naturelle, Paris), 2023
49.53 x 74.93 x 102.24cm
Kallima Inachus (Study for Recto Verso Ventral Dorsal), I
Jeffrey Stuker
Kallima Inachus (Study for Recto Verso Ventral Dorsal), I, 2024
40.6 x 50.8cm
Kallima Inachus (Study for Recto Verso Ventral Dorsal), II
Jeffrey Stuker
Kallima Inachus (Study for Recto Verso Ventral Dorsal), II, 2024
40.6 x 50.8cm
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