UNTITLED (YES, I AM AFRAID)

Jota Mombaça

UNTITLED (YES, I AM AFRAID), 2023Sign in to view price
Details
MaterialGallery
charcoal and dust on paper on a metal armatureMartins&Montero
Description
Human-crafted. AI-refined.

This contemporary artwork features a simple, minimalist composition. The visual elements include a wooden sign mounted on a metal tripod-like structure, set against a plain white background. The sign displays handwritten text in a raw, expressive style. The subject matter appears to be a message or statement, though the specific meaning is unclear. The artistic style and technique convey a sense of immediacy and spontaneity, perhaps suggesting a critique or commentary on societal or political issues. The overall context of the piece invites the viewer to interpret the meaning and intention behind this thought-provoking, conceptual work of art. ...

Similar Artworks
The expression wiped from her face
Sin Wai Kin
The expression wiped from her face, 2016
21 x 17cm
Geometry does not dream of labor
Ad Minoliti
Geometry does not dream of labor, 2023
145 x 185cm
Estructura espacial  indisociable
Daniel De Paula
Estructura espacial indisociable, 2023
44 x 45 x 30cm
Attachments #7
Nicole Wermers
Attachments #7, 2022
41.3 x 31.1 x 3.8cm
Let's Start Again
CASE STUDY HOUSES 9
Ad Minoliti
CASE STUDY HOUSES 9, 2015
140 x 100cm
Osx with sweatshirt art by Lam How Sin
Ad Minoliti
Osx with sweatshirt art by Lam How Sin, 2019
170 x 50 x 40cm
O Mar
The Camera, A Mirror, A Sniper, A Femme (Beast Type Song Scripts)
Sophia Al Maria
The Camera, A Mirror, A Sniper, A Femme (Beast Type Song Scripts), 2020
43 x 32.5 x 2cm
Riacho
Mano Penalva
Riacho, 2023
151 x 163 x 4cm
Untitled (Skull)
Brook Hsu
Untitled (Skull), 2021
8.89 x 43.18cm
Fainter (Mme X)
Nicole Wermers
Fainter (Mme X), 2025
31 x 44 x 29cm
The boundary of you and not you 1
Sin Wai Kin
The boundary of you and not you 1, 2020
34.5 x 31.5 x 7cm
This Print Has Traveled Far To Touch You
Laure Prouvost
This Print Has Traveled Far To Touch You, 2016
60 x 45cm
Estructura espacial indisociable
Daniel De Paula
Estructura espacial indisociable, 2023
39 x 50 x 38cm
HEAT WAVE OVER THE PACIFIC (EL NIÑO)
Artist
Jota Mombaça
Brazilian

Jota Mombaça is an interdisciplinary artist whose work derives from poetry, critical theory, and performance. The sonic and visual matter of words plays an important role in their practice, which often relates to anti-colonial critique and gender disobedience. Through performance, visionary fiction, and situational strategies of knowledge production, they intend to rehearse the end of the world as we know it and the figuration of what comes after we dislodge the Modern-Colonial subject off its podium. ...

Jota Mombaça: Artworks
homing instinct #78
Jota Mombaça
homing instinct #78, 2021
41 x 30cm
ghost 2: words don't go there
Jota Mombaça
ghost 2: words don't go there, 2022
1006 x 145cm
homing instinct #8
Jota Mombaça
homing instinct #8, 2021
41 x 30cm
homing instinct #32
Jota Mombaça
homing instinct #32, 2021
41 x 30cm
homing instinct #X
Jota Mombaça
homing instinct #X, 2023
41 x 30cm
ghost 0: too much consciousness to be held by such a vulnerable entity
Jota Mombaça
ghost 0: too much consciousness to be held by such a vulnerable entity, 2022
4807 x 145cm
DOLPHIN (TAKE ME WITH YOU)
Jota Mombaça
DOLPHIN (TAKE ME WITH YOU), 2023
180 x 60 x 50cm
HEAT WAVE OVER THE PACIFIC (EL NIÑO)
Jota Mombaça
HEAT WAVE OVER THE PACIFIC (EL NIÑO), 2023
81 x 70.5cm
UNTITLED (YES, I AM AFRAID)
Jota Mombaça
UNTITLED (YES, I AM AFRAID), 2023
Martins&Montero
Gallery
Martins&Montero
Brussels, São Paulo

Founded in São Paulo in 2011, Galeria Jaqueline Martins is a space for research, documentation and presentation of contemporary artistic production. It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives. One of its guiding principles is the encouragement of research-oriented conceptualist practices characterized by critical, even subversive, approaches. Since its inauguration, the gallery has developed a special program around the investigation of artistic productions carried out during the Brazilian military period – more specifically from the 1970s and 1980s. It promotes a historical revision of processes grounded on strong intellectual resistance, audacity and commitment to art and which transformed the artistic practice in the country, but nonetheless were neglected throughout the last decades. By integrating research and practice that confront the contemporary scene by means of its exhibition program, the gallery encourages the revival of the debate that conceives of artistic actions as contact zones for the exercise of aesthetic, social and political change. In 2020 the gallery opened its second exhibition space, in Brussels, aiming to expand our presence in Europe and to develop a multidisciplinary program that will foster connections between our artists and Brazilian art practices in an international context. ...

Unlock Price & Inquiry Access