The artwork features a minimalist composition with a prominent white object resting on a neutral gray surface. The shape of the object is elongated and tapered, resembling a utensil or tool. The overall visual elements emphasize simplicity, with the stark contrast between the white and gray tones creating a sense of balance and serenity. The subject matter, though abstract, suggests a functional or utilitarian purpose, hinting at the artist's interest in the interplay between form and function. The style and technique employed reflect a modernist approach, where the focus is on the inherent qualities of the materials and the essential elements of design. This artwork may explore themes of utility, minimalism, and the beauty found in everyday objects. ...
Since the 1990s, Judith Hopf has been developing an independent artistic language in the form of sculpture, film, drawing, performance or even stage design. In her works, Hopf addresses social inscriptions and power structures in political and private realms and the impact of visible and invisible architectures, technology and objects, on the human body and its movements. Often sourced from everyday as well as modern and postmodern aesthetic vocabulary and materials such as brick, concrete, glass, her works challenge habituals views, representations and behaviours. ...
francesca kaufmann gallery opened in January 2000. Since then, the gallery has aimed to explore a diverse range of media, with a focus on video, site specific installation, and a special attention towards the works of female artists. After ten years in its historical location, the gallery opened in a new space in October 2010, under the name kaufmann repetto, to mark the partnership between Francesca Kaufmann and Chiara Repetto. In its new location, the gallery has been able to further develop its exhibition programming through a project space dedicated predominantly to younger artists, as well as a courtyard for large scale outdoor installations, which run parallel to the gallery’s main exhibition schedule. In 2013, the gallery inaugurated a new location in Chelsea, New York, with a parallel program to the gallery’s main space in Milan. In 2019 the New York location moved to Tribeca, expanding to a 3,000 sq ft exhibition space. The inaugural exhibition at the gallery’s new space in Tribeca was a solo show by Lily van der Stokker. ...
![DIOSAS de CUEVA VERDE EMOCIÓNALES, (D.F. Copal) [5]](https://res.cloudinary.com/docent-art/image/upload/c_limit,w_3840/f_auto/q_100/v1708955488/production/artworks/ingested/22df942f-8053-4822-a59a-e98dcebc7c96?_a=BAVAZGID0)
