Kris Lemsalu

Immaterial Material Love, 202420.3 x 35.6 x 35.6cm13500 USD

Details

MaterialGalleryLocation

CeramicsMargot SamelNew York City

Description

Human-crafted. AI-refined.

This sculptural artwork features a striking combination of organic shapes and vibrant colors. The piece is composed of undulating, shell-like forms in shades of turquoise, beige, and blue, creating a visually captivating and textural composition. The bulbous, layered structures evoke a sense of natural growth and movement, suggesting a marine or geological theme. The artist's skilled use of materials and attention to detail result in a captivating and imaginative work that invites the viewer to explore its intricate forms and textures. The artwork's evocative and surreal quality likely reflects the artist's intention to capture the beauty and complexity of the natural world. ...

Similar Artworks

Özgür KarSqueezed Bone (Top Light), 20236500 EUR

Sarah LucasSEX BOMB, 2022Price on Request

Rachel RoseNorth Salem Moon (1993), 2022Price on Request

Tosh BascoA stage, 2021Price on Request

Özgür KarA Door Ajar, 202318000 EUR

Hayv KahramanEyebrow-gut-brain axis, 2021Price on Request

Kembra PfahlerFear of a Karen Black Planet, 199415000 USD

Chioma EbinamaSnake Spiral, 2023Price on Request

Tosh BascoWu still life, 2021Price on Request

Rachel RoseThe Open Land by Moonlight (1993), 2022Price on Request

Jacqueline De JongEVROS KYTHIRA, 2022Price on Request

Brook HsuUntitled (Skull), 2021Price on Request

Evgeny AntufievUntitled, 202115000 EUR

Artist

Kris Lemsalu

B.1985, Estonian

Kris Lemsalu’s practice is filled with eccentric colours, shamans, talismans, kitsch imagery and materials such as clothing, food and animal pelts. Working in installation, sculpture and performance, the Estonian artist’s works deny categorization and invite ritualistic catharsis of life and death, beauty and pain. Mimicking the formlessness of life itself, her works and performances transcend structure into absurdist mix of textures and materials; with cheap rubber bags being attached to precious porcelain, a toothbrush burning between the artist’s lips or a chicken-eggs-chandelier hanging between her legs. Lemsalu’s exquisite use of her body as a material alongside the strangeness of her inanimate objects blends the very distinction between herself, her art and life, more broadly. Fairy tales and folklore, fantasy and reality become indistinguishable in the artist’s universe of kitsch and absurdity. With no beginning or end, Lemsalu’s practice is a metamorphosis in action. ...