The Love Doll/Day 32 (Blue Geisha Close-up)

Laurie Simmons

The Love Doll/Day 32 (Blue Geisha Close-up), 201176.2 x 101.6cmSign in to view price
Details
MaterialGallery
fuji matte printAmanda Wilkinson
Description
Human-crafted. AI-refined.

This image depicts a traditional Japanese geisha doll with a meticulously crafted appearance. The doll's face is painted with delicate and precise makeup, showcasing the characteristic red lips and arched eyebrows associated with geisha aesthetics. The doll is dressed in an intricately patterned kimono in shades of blue, adorned with floral motifs. The overall composition emphasizes the doll's serene and refined expression, capturing the essence of Japanese cultural traditions. This geisha doll likely serves as a representation of the artistry and elegance inherent in the geisha culture, which has long been celebrated as an integral part of Japanese heritage. ...

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Laurie Simmons
Artist
Laurie Simmons
B.1949, American

Laurie Simmons is a photographer and filmmaker who unearths cultural restrictions within patriarchal, capitalist society. In the 1970s, Simmons began photographing uncanny domestic scenes of dolls in doll houses. Cropped in a cinematic fashion, the figures would lay bountiful meals on the table or tidy messy interiors, all whilst maintaining perfect hair dos, creaseless dresses and trim figures. Building on Simmons’s own upbringing in post-war suburban America, these stylised images exposed the artificiality of heightened gender stereotypes that proliferated in this period. During this era, Simmons became associated with The Pictures Generation and other artists such as Cindy Sherman, Barbara Kruger and Louise Lawler who were similarly using photography and image manipulation to lay bare the violence of cultural tropes. Simmons’s Walking Objects (1987-1991) series, tackled sexism and its entanglement with consumerism. In these surreal photos, inanimate objects such as globes, toilets and guns strutted and danced around, posing with toned legs in black stilettos. Referencing the loss of agency in capitalist society, these works heighten the bleak realities of consumer-oriented society. Simmons continues to make inquisitive, surreal films and photographic series which digest the intricacies of contemporary gender representation. ...

Laurie Simmons: Artworks
Toy Watch
Laurie SimmonsToy Watch, 1976
20.3 x 29.2cm
Toy Clock
Laurie SimmonsToy Clock, 1976
20.3 x 29.2 x 8.3cm
Birthday Cake
Laurie SimmonsBirthday Cake, 1984
152.4 x 101.6cm
Aztec Crevice
Laurie SimmonsAztec Crevice, 1984
152.4 x 101.6cm
Bathing Suit
Laurie SimmonsBathing Suit, 1984
152.4 x 101.6cm
Brothers/ Hay
Country Road
Laurie SimmonsCountry Road, 1984
152.4 x 101.6cm
Fuzzy Pink Dress
Laurie SimmonsFuzzy Pink Dress, 1984
152.4 x 101.6cm
Several Hats in Italy
Walking Glove
Laurie SimmonsWalking Glove, 1991
213.4 x 121.9cm
Amanda Wilkinson
Gallery
Amanda Wilkinson
London

Amanda Wilkinson opened her gallery in November 2017, having been a partner in Wilkinson Gallery, and brought with her the artists that she had worked with since 2003. Most of these internationally renowned artists had their first solo UK exhibition at the gallery: Joan Jonas and Shimabuku in 2004, Sung Hwan Kim in 2007, Jimmy DeSana in 2009, and Laurie Simmons in 2011. The program has also introduced younger artists such as Heman Chong, Phoebe Unwin, Dorota Gawęda and Eglė Kulbokaitė all of whom have solo exhibitions in public institutions this year. Amanda Wilkinson is a trustee of the Derek Jarman Estate and is the sole gallery who represents the work. The program continues to highlight key historical artists who are little known to the wider art world, including Paolo Gioli, Ketty La Rocca and Margaret Raspé and will introduce new artists to the program in 2020 in keeping with the gallery’s experimental and cross-generational approach. The gallery has presented four Feature booths at ArtBasel in the past , featuring six artists from the program. Eight out of the twelve artists represented by the gallery had solo museum exhibitions in 2019/2020. ...

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