This contemporary artwork presents a minimalist, industrial interior space. The visual elements include a stark, monochromatic color palette of white and gray, with bold yellow accents that contrast against the clean, geometric lines of the tiled walls and floors. The overall composition emphasizes the architectural features, creating a sense of order and functionality. The subject matter depicts a vacant, utilitarian room, perhaps a former industrial or institutional space. The artistic style and technique reflect a modernist approach, with a focus on form, materials, and spatial relationships. The context suggests the artwork may comment on the repurposing of abandoned or underutilized structures, inviting the viewer to contemplate the evolving nature of urban environments. ...
For more than thirty years, Lynne Cohen has photographed interior spaces without characters: laboratories, spas, waiting rooms or training rooms. Their decoration, often very kitschy, can be comical, even if it helps to reinforce their intriguing, even worrying aspect. The rigorous framing, at the same distance, and the light that highlights materials and colours give these images a constructed appearance. Focusing on the imaginary element of places, sometimes with ill-defined uses, Lynne Cohen suggests a social control that is exercised diffusely. ...
Founded by Fabienne Leclerc in 2001, In Situ began in the 13th district of Paris alongside a group of galleries in rue Louise Weiss. After seven years in the 6th, the gallery moved to the Marais in November 2013, then to the Stalingrad district in January 2017.
Since October 2019, In Situ - fabienne leclerc has moved into a new space in Romainville, accompanied by Air de Paris, gallery Jocelyn Wolff, gallery Sator the FRAC Ile-de-France as well as the Fiminco Foundation.
The ambition of In Situ - fabienne leclerc is to promote young and emerging artists in France and internationally, and to support its established artists in the long term. The gallery strives to support and promote the work of its artists in the gallery, in associated museums and institutions, and to produce and edit artist catalogues and books. ...
