Window. De-Construction of the Leaning Tower

Maria Pinińska-Bereś

Window. De-Construction of the Leaning Tower, 199247 x 43 x 9cm28000 EUR
Details
MaterialGalleryLocation
wood frame, plywood, fabric, foam, glass pane, acrylicThe approachLondon
Description
Human-crafted. AI-refined.

The artwork features a minimalist composition with a predominant use of pink and white colors. The central element is a distorted, amorphous pink shape that appears to be floating within a white, ethereal space. The frame surrounding the composition is a distressed, textured pink that adds depth and a sense of depth to the overall piece. The artistic style suggests a focus on abstraction and the use of simple, geometric forms to convey a sense of emotion and ambiguity. The context of this work may explore themes of fragility, impermanence, or the interplay between positive and negative space. ...

Similar Artworks
Morning Hatch
Jessie Homer FrenchMorning Hatch, 1990Price on Request
Hefunanagram
Susan HefunaHefunanagram, 201245000 EUR
A Rose By Any Other Name
Penny SlingerA Rose By Any Other Name, 1969Price on Request
Fire Island Pines Void
Julie TolentinoFire Island Pines Void, 2018Price on Request
Avdiivka
Jacqueline De JongAvdiivka, 2023Price on Request
Free Drawing 10
Monir Shahroudy FarmanfarmaianFree Drawing 10, 201530000 USD
Stand Up
Susan HefunaStand Up, 2019Price on Request
Untitled (after "Still Life" by George Braque)
Wilhelm SasnalUntitled (after "Still Life" by George Braque), 2023Price on Request
Untitled
Monika SosnowskaUntitled, 2015Price on Request
On the Columbia River
Jessie Homer FrenchOn the Columbia River, 201060000 USD
A Monument to the Unstuffy and Anti-Bureaucratic
Monster ChetwyndA Monument to the Unstuffy and Anti-Bureaucratic, 2019Price on Request
SMOKE OF FUTURE FIRES
Julie TolentinoSMOKE OF FUTURE FIRES, 2013Price on Request
Nun of That
Penny SlingerNun of That, 1970Price on Request
DISASTERS
Jacqueline De JongDISASTERS, 2023Price on Request
Wild Iris
Monir Shahroudy FarmanfarmaianWild Iris, 200316500 USD
Maria Pinińska-Bereś
Artist
Maria Pinińska-Bereś
1958 , Polish

Polish sculptor and performance artist Maria Pinińska-Bereś (1931-1999) played an active role in shaping the artistic community of Kraków. Her sculptures initially followed the modernist trend popular among Polish artists during the Thaw, a period of de-Stalinization in the late 1950s. She gradually transformed her style and developed her own unique aesthetic in the mid-1960s, this is seen in Lady with a Bird (1964), in which she added small quilted blankets to concrete sculptures. Later, this aesthetic incorporated new materials such as paper maché, linen, burlap, leather, and plywood, and primarily used white, pink, and yellow tones, evident in her Corset and Psycho-Small-Furniture series created in the late 1960s and early 1970s. Pinińska-Bereś began exploring femininity and the various cultural oppressions experienced by women in the mid-1960s, these insights and experiences were then translated and embedded into her practice. Her art then predominantly featured pink, soft, stuffed cotton forms, as seen in her work Sea Foam-Arisen (1977), which remained consistent throughout her life. ...

Maria Pinińska-Bereś: Artworks
Laundry II
Maria Pinińska-BereśLaundry II, 1981Price on Request
Mme Récamier
Maria Pinińska-BereśMme Récamier, 1991Price on Request
Sabbath
Maria Pinińska-BereśSabbath, 1987Price on Request
Dancing woman
Maria Pinińska-BereśDancing woman, 19508000 EUR
Dream
Maria Pinińska-BereśDream, 19558000 EUR
Untitled
Maria Pinińska-BereśUntitled, 19508000 EUR
The Banner
Maria Pinińska-BereśThe Banner, 19806000 EUR
Women. Sketches for the Corsets
Maria Pinińska-BereśWomen. Sketches for the Corsets, 19578000 EUR
Untitled ("Anna, Anna")
Maria Pinińska-BereśUntitled ("Anna, Anna"), 19568000 EUR
Window and Demons II
Maria Pinińska-BereśWindow and Demons II, 199640000 EUR
Smudged With the Sky
Maria Pinińska-BereśSmudged With the Sky, 198580000 EUR
I'll Give You a Fern Flower
Maria Pinińska-BereśI'll Give You a Fern Flower, 1988120000 EUR
Window in Spring
Maria Pinińska-BereśWindow in Spring, 1976150000 EUR
Window with Small Clouds
Maria Pinińska-BereśWindow with Small Clouds, 199040000 EUR
Untitled [Vintage photograph]
Maria Pinińska-BereśUntitled [Vintage photograph], 19796000 EUR
Passage Beyond the Quilt
Maria Pinińska-BereśPassage Beyond the Quilt, 19796000 EUR
No Title [Collage, stencil prepared for 'Window with Continuum']
Maria Pinińska-BereśNo Title [Collage, stencil prepared for 'Window with Continuum'], 19914000 EUR
No Title [Study for 'Window. De-construction of the Leaning Tower'; collage]
Maria Pinińska-BereśNo Title [Study for 'Window. De-construction of the Leaning Tower'; collage], 19924000 EUR
No Title [Collage with a tube-shaped form]
Maria Pinińska-BereśNo Title [Collage with a tube-shaped form], 19904000 EUR
Window. De-Construction of the Leaning Tower
Maria Pinińska-BereśWindow. De-Construction of the Leaning Tower, 199228000 EUR
The approach
Gallery
The approach
London

The Approach is co-directed by Jake Miller and Emma Robertson. Located in Bethnal Green above The Approach Tavern, for over twenty years it has operated an internationally recognised programme from its East London base. The gallery is known for discovering artists and establishing their careers as well as making inter-generational curated group shows a strong focus. The list of represented artists includes the Estates of important overlooked female artists Heidi Bucher and Maria Pinińska Bereś, as well as seminal British collage artist John Stezaker, together with established and emerging artists including Magali Reus, Peter Davies, Lisa Oppenheim, Sandra Mujinga, Pam Evelyn, Sara Cwynar, Sam Windett and Caitlin Keogh. Over the years the gallery has operated parallel programmes in additional gallery spaces in London’s West End (The Approach W1) and in Shoreditch (The Reliance). The gallery is currently based solely in its original East End location and continues to expand its programme, showcasing its represented artists in the main gallery space, and both represented and non-represented artists in The Annexe, a smaller, more experimental space at the back of the building. ...