Physical Assets Are Always the Last Resort

Marta Riniker-Radich

Physical Assets Are Always the Last Resort, 202229.7 x 21cm5800 CHF
Details
MaterialGalleryLocation
mixed media on paperGalerie Francesca PiaZürich
Description
Human-crafted. AI-refined.

The image depicts a striking abstract composition, featuring a stark contrast between the dark, organic patterns and the clean, white background. The bold, textural brush strokes create a sense of movement and energy, with the dark splatters seemingly spreading across the canvas. The inclusion of a simple electrical outlet in the bottom right corner adds an unexpected element, grounding the piece in the mundane realities of the physical world. The overall style and technique suggest an exploration of themes related to the natural world, decay, and the intersection of the organic and the man-made. The artist's intention may be to evoke a sense of the fragility and impermanence of our surroundings. ...

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Physical Assets Are Always the Last Resort
Artist
Marta Riniker-Radich

Riniker-Radich is a painter well-known for her luminescent pencil drawings. She has refined her drawing practice by using simple techniques and materials, yet still achieves a powerful effect through the masterful use of colour and layering. Her drawings, which are executed in series of A4 paper with coloured pencils, offer a glimpse into abstract realities that interact with other mediums including text, objects, and site-specific installations, to create overarching narratives. This is seen in her exhibition Every Home a Fortress Every Hearth a Blossom, in which drawings of cupcakes and Easter eggs are displayed in stark domestic settings alongside objects that evoke the cult of survivalism. Riniker-Radich's projects often derive from specific historical events or situations, such as the California electricity crisis of the late 1990s or the petroleum industry in Texas. Through her work, she examines the impact that socio-political and economic factors have on human behavior, as well as the development of power structures, both individual and corporate. The highlighted themes in her work, such as cronyism, insecurity, and regression to childhood, feature a network of symbols and fictionalized narratives that offer insights into the complexities of modern life. ...

Marta Riniker-Radich: Artworks
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 20225800 CHF
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 20225800 CHF
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 20225800 CHF
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 20225800 CHF
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 20225800 CHF
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 20225800 CHF
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 20225800 CHF
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 20225800 CHF
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 20225800 CHF
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 20225800 CHF
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 20225800 CHF
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 20225800 CHF
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 20225800 CHF
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 20225800 CHF
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 20225800 CHF
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 20225800 CHF
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 20225800 CHF
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 20225800 CHF
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 20225800 CHF
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 20225800 CHF
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 20225800 CHF
Untitled
Marta Riniker-RadichUntitled, 20215800 CHF
Untitled
Marta Riniker-RadichUntitled, 20215800 CHF
No Fly by Night Pamphleteer
Marta Riniker-RadichNo Fly by Night Pamphleteer, 20215800 CHF
No Fly by Night Pamphleteer
Marta Riniker-RadichNo Fly by Night Pamphleteer, 20215800 CHF
Untitled
Marta Riniker-RadichUntitled, 20215800 CHF
And Now the Inevitable Is Staring Them in Their Wobbly Faces
Marta Riniker-RadichAnd Now the Inevitable Is Staring Them in Their Wobbly Faces, 20205800 CHF
And Now the Inevitable Is Staring Them in Their Wobbly Faces
Marta Riniker-RadichAnd Now the Inevitable Is Staring Them in Their Wobbly Faces, 20205800 CHF
And Now the Inevitable Is Staring Them in Their Wobbly Faces
Marta Riniker-RadichAnd Now the Inevitable Is Staring Them in Their Wobbly Faces, 20205800 CHF
And Now the Inevitable Is Staring Them in Their Wobbly Faces
Marta Riniker-RadichAnd Now the Inevitable Is Staring Them in Their Wobbly Faces, 20205800 CHF
With No Apologies
Marta Riniker-RadichWith No Apologies, 20195800 CHF
Unwelcome Gifts
Marta Riniker-RadichUnwelcome Gifts, 20195800 CHF
Born to Lead
Marta Riniker-RadichBorn to Lead, 20195800 CHF
An Unattainable Memory
Marta Riniker-RadichAn Unattainable Memory, 20195800 CHF
Born to Lead
Marta Riniker-RadichBorn to Lead, 20195800 CHF
Born to Lead
Marta Riniker-RadichBorn to Lead, 20195800 CHF
A Highly Sophisticated Security Blanket
Marta Riniker-RadichA Highly Sophisticated Security Blanket, 20159000 CHF
The enemy within 7
Marta Riniker-RadichThe enemy within 7, 20175800 CHF
The enemy within 6
Marta Riniker-RadichThe enemy within 6, 20175800 CHF
The enemy within 1
Marta Riniker-RadichThe enemy within 1, 20175800 CHF
Granular and fatty degeneration
Marta Riniker-RadichGranular and fatty degeneration, 20165800 CHF
Formation of very large, tough curds
Marta Riniker-RadichFormation of very large, tough curds, 20165800 CHF
The x-ray test meal
Marta Riniker-RadichThe x-ray test meal, 20165800 CHF
Eraserlife # 6
Marta Riniker-RadichEraserlife # 6, 20132200 CHF
Eraserlife # 5
Marta Riniker-RadichEraserlife # 5, 20132200 CHF
Eraserlife # 3
Marta Riniker-RadichEraserlife # 3, 20132200 CHF
Eraserlife # 1
Marta Riniker-RadichEraserlife # 1, 20132200 CHF
Manhood
Marta Riniker-RadichManhood, 20145800 CHF
Licking his ice cream cone)
Marta Riniker-RadichLicking his ice cream cone), 20135800 CHF
Tanzania
Marta Riniker-RadichTanzania, 20125800 CHF
Untitled
Marta Riniker-RadichUntitled, 20125800 CHF
Untitled
Marta Riniker-RadichUntitled, 20125800 CHF
Untitled
Marta Riniker-RadichUntitled, 20105800 CHF
Untitled
Marta Riniker-RadichUntitled, 20125800 CHF
Galerie Francesca Pia
Gallery
Galerie Francesca Pia
Zürich

Galerie Francesca Pia was founded 1990 in Bern and from their first exhibitions forward has consistently fostered contemporary artists including Betty Woodman (1990), Peter Fischli & David Weiss (1992), Hans-Peter Feldmann (1993), Thomas Bayrle (1998), Mai-Thu Perret (2000), Wade Guyton (2004), Jutta Koether (2008) and Rochelle Feinstein (2016) et al. Today the gallery is known for the discovery and promotion of emerging artists. After 16 years in Bern, the gallery moved to a larger space in Zurich in 2007. In 2012 the gallery extended and relocated to a more generous space in the historic Löwenbrau building, where it continues to engage in an ambitious program, representing over thirty artists of different generations. ...