And Now the Inevitable Is Staring Them in Their Wobbly Faces

Marta Riniker-Radich

And Now the Inevitable Is Staring Them in Their Wobbly Faces, 202021 x 29.7cmPrice on Request
Details
MaterialGallery
colored pencil and pencil on paperGalerie Francesca Pia
Description
Human-crafted. AI-refined.

The artwork features a striking visual contrast between the vibrant yellow background and the muted, grayscale depiction of a person lying on the ground. The prominent title "VIGOROUS" in bold, red lettering commands attention, juxtaposed with the figure's seemingly exhausted or defeated pose. The flat, representational style and muted tones suggest a commentary on the demands of modern life or societal expectations. The overall composition and choice of subject matter invite the viewer to ponder the discordance between outward appearances and inner experiences. The artist's intention may be to explore themes of fatigue, resilience, or the complexities of the human condition. ...

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Physical Assets Are Always the Last Resort
Artist
Marta Riniker-Radich

Riniker-Radich is a painter well-known for her luminescent pencil drawings. She has refined her drawing practice by using simple techniques and materials, yet still achieves a powerful effect through the masterful use of colour and layering. Her drawings, which are executed in series of A4 paper with coloured pencils, offer a glimpse into abstract realities that interact with other mediums including text, objects, and site-specific installations, to create overarching narratives. This is seen in her exhibition Every Home a Fortress Every Hearth a Blossom, in which drawings of cupcakes and Easter eggs are displayed in stark domestic settings alongside objects that evoke the cult of survivalism. Riniker-Radich's projects often derive from specific historical events or situations, such as the California electricity crisis of the late 1990s or the petroleum industry in Texas. Through her work, she examines the impact that socio-political and economic factors have on human behavior, as well as the development of power structures, both individual and corporate. The highlighted themes in her work, such as cronyism, insecurity, and regression to childhood, feature a network of symbols and fictionalized narratives that offer insights into the complexities of modern life. ...

Marta Riniker-Radich: Artworks
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 2022Price on Request
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 2022Price on Request
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 2022Price on Request
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 2022Price on Request
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 2022Price on Request
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 2022Price on Request
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 2022Price on Request
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 2022Price on Request
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 2022Price on Request
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 2022Price on Request
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 2022Price on Request
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 2022Price on Request
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 2022Price on Request
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 2022Price on Request
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 2022Price on Request
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 2022Price on Request
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 2022Price on Request
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 2022Price on Request
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 2022Price on Request
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 2022Price on Request
Physical Assets Are Always the Last Resort
Marta Riniker-RadichPhysical Assets Are Always the Last Resort, 2022Price on Request
Untitled
Marta Riniker-RadichUntitled, 2021Price on Request
Untitled
Marta Riniker-RadichUntitled, 2021Price on Request
No Fly by Night Pamphleteer
Marta Riniker-RadichNo Fly by Night Pamphleteer, 2021Price on Request
No Fly by Night Pamphleteer
Marta Riniker-RadichNo Fly by Night Pamphleteer, 2021Price on Request
Untitled
Marta Riniker-RadichUntitled, 2021Price on Request
And Now the Inevitable Is Staring Them in Their Wobbly Faces
Marta Riniker-RadichAnd Now the Inevitable Is Staring Them in Their Wobbly Faces, 2020Price on Request
And Now the Inevitable Is Staring Them in Their Wobbly Faces
Marta Riniker-RadichAnd Now the Inevitable Is Staring Them in Their Wobbly Faces, 2020Price on Request
And Now the Inevitable Is Staring Them in Their Wobbly Faces
Marta Riniker-RadichAnd Now the Inevitable Is Staring Them in Their Wobbly Faces, 2020Price on Request
And Now the Inevitable Is Staring Them in Their Wobbly Faces
Marta Riniker-RadichAnd Now the Inevitable Is Staring Them in Their Wobbly Faces, 2020Price on Request
With No Apologies
Marta Riniker-RadichWith No Apologies, 2019Price on Request
Unwelcome Gifts
Marta Riniker-RadichUnwelcome Gifts, 2019Price on Request
Born to Lead
Marta Riniker-RadichBorn to Lead, 2019Price on Request
An Unattainable Memory
Marta Riniker-RadichAn Unattainable Memory, 2019Price on Request
Born to Lead
Marta Riniker-RadichBorn to Lead, 2019Price on Request
Born to Lead
Marta Riniker-RadichBorn to Lead, 2019Price on Request
A Highly Sophisticated Security Blanket
Marta Riniker-RadichA Highly Sophisticated Security Blanket, 2015Price on Request
The enemy within 7
Marta Riniker-RadichThe enemy within 7, 2017Price on Request
The enemy within 6
Marta Riniker-RadichThe enemy within 6, 2017Price on Request
The enemy within 1
Marta Riniker-RadichThe enemy within 1, 2017Price on Request
Granular and fatty degeneration
Marta Riniker-RadichGranular and fatty degeneration, 2016Price on Request
Formation of very large, tough curds
Marta Riniker-RadichFormation of very large, tough curds, 2016Price on Request
The x-ray test meal
Marta Riniker-RadichThe x-ray test meal, 2016Price on Request
Eraserlife # 6
Marta Riniker-RadichEraserlife # 6, 2013Price on Request
Eraserlife # 5
Marta Riniker-RadichEraserlife # 5, 2013Price on Request
Eraserlife # 3
Marta Riniker-RadichEraserlife # 3, 2013Price on Request
Eraserlife # 1
Marta Riniker-RadichEraserlife # 1, 2013Price on Request
Manhood
Marta Riniker-RadichManhood, 2014Price on Request
Licking his ice cream cone)
Marta Riniker-RadichLicking his ice cream cone), 2013Price on Request
Tanzania
Marta Riniker-RadichTanzania, 2012Price on Request
Untitled
Marta Riniker-RadichUntitled, 2012Price on Request
Untitled
Marta Riniker-RadichUntitled, 2012Price on Request
Untitled
Marta Riniker-RadichUntitled, 2010Price on Request
Untitled
Marta Riniker-RadichUntitled, 2012Price on Request
Galerie Francesca Pia
Gallery
Galerie Francesca Pia
Zürich

Galerie Francesca Pia was founded 1990 in Bern and from their first exhibitions forward has consistently fostered contemporary artists including Betty Woodman (1990), Peter Fischli & David Weiss (1992), Hans-Peter Feldmann (1993), Thomas Bayrle (1998), Mai-Thu Perret (2000), Wade Guyton (2004), Jutta Koether (2008) and Rochelle Feinstein (2016) et al. Today the gallery is known for the discovery and promotion of emerging artists. After 16 years in Bern, the gallery moved to a larger space in Zurich in 2007. In 2012 the gallery extended and relocated to a more generous space in the historic Löwenbrau building, where it continues to engage in an ambitious program, representing over thirty artists of different generations. ...