The enemy within 7
The enemy within 7

Marta Riniker-Radich

The enemy within 7, 201731 x 41 x 2cmSign in to view price
Details
MaterialGallery
colored pencil and pencil on paper, artist frameGalerie Francesca Pia
Description
Human-crafted. AI-refined.

This abstract sculpture features a complex, angular composition of interlocking metal pieces in shades of gray. The dominant shape is a circular disc with a cutout center, creating a sense of movement and dynamism. The forms are asymmetrical yet balanced, showcasing the artist's skilled manipulation of industrial materials. This kinetic sculpture likely explores themes of machinery, technology, and the interplay between individual components and the whole. The artist's intention was likely to provoke contemplation on the nature of modern industrial design and engineering. ...

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Physical Assets Are Always the Last Resort
Artist
Marta Riniker-Radich

Riniker-Radich is a painter well-known for her luminescent pencil drawings. She has refined her drawing practice by using simple techniques and materials, yet still achieves a powerful effect through the masterful use of colour and layering. Her drawings, which are executed in series of A4 paper with coloured pencils, offer a glimpse into abstract realities that interact with other mediums including text, objects, and site-specific installations, to create overarching narratives. This is seen in her exhibition Every Home a Fortress Every Hearth a Blossom, in which drawings of cupcakes and Easter eggs are displayed in stark domestic settings alongside objects that evoke the cult of survivalism. Riniker-Radich's projects often derive from specific historical events or situations, such as the California electricity crisis of the late 1990s or the petroleum industry in Texas. Through her work, she examines the impact that socio-political and economic factors have on human behavior, as well as the development of power structures, both individual and corporate. The highlighted themes in her work, such as cronyism, insecurity, and regression to childhood, feature a network of symbols and fictionalized narratives that offer insights into the complexities of modern life. ...

Marta Riniker-Radich: Artworks
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Untitled
Untitled
No Fly by Night Pamphleteer
Marta Riniker-Radich
No Fly by Night Pamphleteer, 2021
29.7 x 21cm
No Fly by Night Pamphleteer
Marta Riniker-Radich
No Fly by Night Pamphleteer, 2021
29.7 x 21cm
Untitled
And Now the Inevitable Is Staring Them in Their Wobbly Faces
Marta Riniker-Radich
And Now the Inevitable Is Staring Them in Their Wobbly Faces, 2020
21 x 29.7cm
And Now the Inevitable Is Staring Them in Their Wobbly Faces
Marta Riniker-Radich
And Now the Inevitable Is Staring Them in Their Wobbly Faces, 2020
21 x 29.7cm
And Now the Inevitable Is Staring Them in Their Wobbly Faces
Marta Riniker-Radich
And Now the Inevitable Is Staring Them in Their Wobbly Faces, 2020
21 x 29.7cm
And Now the Inevitable Is Staring Them in Their Wobbly Faces
Marta Riniker-Radich
And Now the Inevitable Is Staring Them in Their Wobbly Faces, 2020
21 x 29.7cm
With No Apologies
Marta Riniker-Radich
With No Apologies, 2019
29.7 x 21cm
Unwelcome Gifts
Marta Riniker-Radich
Unwelcome Gifts, 2019
21 x 29.7cm
Born to Lead
Marta Riniker-Radich
Born to Lead, 2019
29.7 x 21cm
An Unattainable Memory
Marta Riniker-Radich
An Unattainable Memory, 2019
21 x 29.7cm
Born to Lead
Marta Riniker-Radich
Born to Lead, 2019
21 x 29.7cm
Born to Lead
Marta Riniker-Radich
Born to Lead, 2019
21 x 29.7cm
A Highly Sophisticated Security Blanket
Marta Riniker-Radich
A Highly Sophisticated Security Blanket, 2015
29.7 x 42cm
The enemy within 7
Marta Riniker-Radich
The enemy within 7, 2017
31 x 41 x 2cm
The enemy within 6
Marta Riniker-Radich
The enemy within 6, 2017
31 x 41 x 2cm
The enemy within 1
Marta Riniker-Radich
The enemy within 1, 2017
31 x 41 x 2cm
Granular and fatty degeneration
Marta Riniker-Radich
Granular and fatty degeneration, 2016
29.7 x 21cm
Formation of very large, tough curds
Marta Riniker-Radich
Formation of very large, tough curds, 2016
21 x 29.7cm
The x-ray test meal
Marta Riniker-Radich
The x-ray test meal, 2016
21 x 29.7cm
Eraserlife # 6
Marta Riniker-Radich
Eraserlife # 6, 2013
14.8 x 21cm
Eraserlife # 5
Marta Riniker-Radich
Eraserlife # 5, 2013
14.8 x 21cm
Eraserlife # 3
Marta Riniker-Radich
Eraserlife # 3, 2013
14.8 x 21cm
Eraserlife # 1
Marta Riniker-Radich
Eraserlife # 1, 2013
14.8 x 21cm
Manhood
Licking his ice cream cone)
Marta Riniker-Radich
Licking his ice cream cone), 2013
21 x 29.7cm
Tanzania
Untitled
Untitled
Untitled
Marta Riniker-Radich
Untitled, 2010
32.6 x 41.6 x 2.5cm
Untitled
Galerie Francesca Pia
Gallery
Galerie Francesca Pia
Zürich

Galerie Francesca Pia was founded 1990 in Bern and from their first exhibitions forward has consistently fostered contemporary artists including Betty Woodman (1990), Peter Fischli & David Weiss (1992), Hans-Peter Feldmann (1993), Thomas Bayrle (1998), Mai-Thu Perret (2000), Wade Guyton (2004), Jutta Koether (2008) and Rochelle Feinstein (2016) et al. Today the gallery is known for the discovery and promotion of emerging artists. After 16 years in Bern, the gallery moved to a larger space in Zurich in 2007. In 2012 the gallery extended and relocated to a more generous space in the historic Löwenbrau building, where it continues to engage in an ambitious program, representing over thirty artists of different generations. ...

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