Physical Assets Are Always the Last Resort

Marta Riniker-Radich

Physical Assets Are Always the Last Resort, 202229.7 x 21cmSign in to view price
Details
MaterialGallery
mixed media on paperGalerie Francesca Pia
Description
Human-crafted. AI-refined.

The artwork features a minimalistic composition of sliced bread arranged in a fan-like pattern against a plain, light-colored background. The focus is on the subtle hues and textures of the bread, with the individual slices creating a sense of movement and dynamism. The artist has used a realistic, photographic style to capture the simple, everyday object, inviting the viewer to consider the inherent beauty and visual qualities of this commonplace food item. This work likely reflects the artist's intention to elevate the mundane and draw attention to the overlooked aspects of our daily lives. ...

Similar Artworks
Winner Sauce
Marianna Simnett
Winner Sauce, 2024
22 x 27cm
Demeter
Marianna Simnett
Demeter, 2024
20 x 18 x 17cm
Bath
Sara Anstis
Bath, 2021
33.5 x 26.5cm
Baby
Sara Anstis
Baby, 2021
9.5 x 12.5cm
Winner
Marianna Simnett
Winner, 2024
167 x 235 x 6cm
the gardener III
Iris Schomaker
the gardener III, 2021
76 x 58.5cm
Swaddle
Sara Anstis
Swaddle, 2021
149 x 153cm
Robbie
Marianna Simnett
Robbie, 2023
40 x 32 x 4cm
Ashes II
Roman Moriceau
Ashes II, 2017
109 x 78.5cm
Ninkilim
Marianna Simnett
Ninkilim, 2025
45 x 25 x 45cm
Moonflower
Sara Anstis
Moonflower, 2021
200 x 260cm
Untitled (head/eyes)
Iris Schomaker
Untitled (head/eyes), 2021
38.5 x 29.7 x 3.5cm
Brother K. II
Sabine Moritz
Brother K. II, 2022
154 x 174 x 6cm
come up
Corita Kent
come up, 1985
45.7 x 60.9cm
Untitled
Christbaumloben
Zhang Meng 张萌
Christbaumloben, 2022
120 x 180cm
Waiting for you (Part five)
Sophie Ruigrok
Waiting for you (Part five), 2022
39 x 39cm
Physical Assets Are Always the Last Resort
Artist
Marta Riniker-Radich

Riniker-Radich is a painter well-known for her luminescent pencil drawings. She has refined her drawing practice by using simple techniques and materials, yet still achieves a powerful effect through the masterful use of colour and layering. Her drawings, which are executed in series of A4 paper with coloured pencils, offer a glimpse into abstract realities that interact with other mediums including text, objects, and site-specific installations, to create overarching narratives. This is seen in her exhibition Every Home a Fortress Every Hearth a Blossom, in which drawings of cupcakes and Easter eggs are displayed in stark domestic settings alongside objects that evoke the cult of survivalism. Riniker-Radich's projects often derive from specific historical events or situations, such as the California electricity crisis of the late 1990s or the petroleum industry in Texas. Through her work, she examines the impact that socio-political and economic factors have on human behavior, as well as the development of power structures, both individual and corporate. The highlighted themes in her work, such as cronyism, insecurity, and regression to childhood, feature a network of symbols and fictionalized narratives that offer insights into the complexities of modern life. ...

Marta Riniker-Radich: Artworks
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Physical Assets Are Always the Last Resort
Marta Riniker-Radich
Physical Assets Are Always the Last Resort, 2022
29.7 x 21cm
Untitled
Untitled
No Fly by Night Pamphleteer
Marta Riniker-Radich
No Fly by Night Pamphleteer, 2021
29.7 x 21cm
No Fly by Night Pamphleteer
Marta Riniker-Radich
No Fly by Night Pamphleteer, 2021
29.7 x 21cm
Untitled
And Now the Inevitable Is Staring Them in Their Wobbly Faces
Marta Riniker-Radich
And Now the Inevitable Is Staring Them in Their Wobbly Faces, 2020
21 x 29.7cm
And Now the Inevitable Is Staring Them in Their Wobbly Faces
Marta Riniker-Radich
And Now the Inevitable Is Staring Them in Their Wobbly Faces, 2020
21 x 29.7cm
And Now the Inevitable Is Staring Them in Their Wobbly Faces
Marta Riniker-Radich
And Now the Inevitable Is Staring Them in Their Wobbly Faces, 2020
21 x 29.7cm
And Now the Inevitable Is Staring Them in Their Wobbly Faces
Marta Riniker-Radich
And Now the Inevitable Is Staring Them in Their Wobbly Faces, 2020
21 x 29.7cm
With No Apologies
Marta Riniker-Radich
With No Apologies, 2019
29.7 x 21cm
Unwelcome Gifts
Marta Riniker-Radich
Unwelcome Gifts, 2019
21 x 29.7cm
Born to Lead
Marta Riniker-Radich
Born to Lead, 2019
29.7 x 21cm
An Unattainable Memory
Marta Riniker-Radich
An Unattainable Memory, 2019
21 x 29.7cm
Born to Lead
Marta Riniker-Radich
Born to Lead, 2019
21 x 29.7cm
Born to Lead
Marta Riniker-Radich
Born to Lead, 2019
21 x 29.7cm
A Highly Sophisticated Security Blanket
Marta Riniker-Radich
A Highly Sophisticated Security Blanket, 2015
29.7 x 42cm
The enemy within 7
Marta Riniker-Radich
The enemy within 7, 2017
31 x 41 x 2cm
The enemy within 6
Marta Riniker-Radich
The enemy within 6, 2017
31 x 41 x 2cm
The enemy within 1
Marta Riniker-Radich
The enemy within 1, 2017
31 x 41 x 2cm
Granular and fatty degeneration
Marta Riniker-Radich
Granular and fatty degeneration, 2016
29.7 x 21cm
Formation of very large, tough curds
Marta Riniker-Radich
Formation of very large, tough curds, 2016
21 x 29.7cm
The x-ray test meal
Marta Riniker-Radich
The x-ray test meal, 2016
21 x 29.7cm
Eraserlife # 6
Marta Riniker-Radich
Eraserlife # 6, 2013
14.8 x 21cm
Eraserlife # 5
Marta Riniker-Radich
Eraserlife # 5, 2013
14.8 x 21cm
Eraserlife # 3
Marta Riniker-Radich
Eraserlife # 3, 2013
14.8 x 21cm
Eraserlife # 1
Marta Riniker-Radich
Eraserlife # 1, 2013
14.8 x 21cm
Manhood
Licking his ice cream cone)
Marta Riniker-Radich
Licking his ice cream cone), 2013
21 x 29.7cm
Tanzania
Untitled
Untitled
Untitled
Marta Riniker-Radich
Untitled, 2010
32.6 x 41.6 x 2.5cm
Untitled
Galerie Francesca Pia
Gallery
Galerie Francesca Pia
Zürich

Galerie Francesca Pia was founded 1990 in Bern and from their first exhibitions forward has consistently fostered contemporary artists including Betty Woodman (1990), Peter Fischli & David Weiss (1992), Hans-Peter Feldmann (1993), Thomas Bayrle (1998), Mai-Thu Perret (2000), Wade Guyton (2004), Jutta Koether (2008) and Rochelle Feinstein (2016) et al. Today the gallery is known for the discovery and promotion of emerging artists. After 16 years in Bern, the gallery moved to a larger space in Zurich in 2007. In 2012 the gallery extended and relocated to a more generous space in the historic Löwenbrau building, where it continues to engage in an ambitious program, representing over thirty artists of different generations. ...

Unlock Price & Inquiry Access