Physical Assets Are Always the Last Resort

Marta Riniker-Radich

Physical Assets Are Always the Last Resort, 202229.7 x 21cmSign in to view price
Details
MaterialGallery
mixed media on paperGalerie Francesca Pia
Description
Human-crafted. AI-refined.

This contemporary artwork features a striking close-up portrait of a white owl against a soft, ethereal background. The composition is centered on the owl's intense gaze, with its vibrant yellow eyes captivating the viewer. The artist has employed a muted color palette, primarily using shades of white, gray, and blue, creating a sense of tranquility and calmness. The textured brushstrokes and expressive handling of the paint suggest an impressionistic style, evoking a sense of movement and energy. This piece invites the viewer to explore the majestic beauty and mystery of the natural world, capturing the essence of the owl's enigmatic presence. ...

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Physical Assets Are Always the Last Resort

Riniker-Radich is a painter well-known for her luminescent pencil drawings. She has refined her drawing practice by using simple techniques and materials, yet still achieves a powerful effect through the masterful use of colour and layering. Her drawings, which are executed in series of A4 paper with coloured pencils, offer a glimpse into abstract realities that interact with other mediums including text, objects, and site-specific installations, to create overarching narratives. This is seen in her exhibition Every Home a Fortress Every Hearth a Blossom, in which drawings of cupcakes and Easter eggs are displayed in stark domestic settings alongside objects that evoke the cult of survivalism. Riniker-Radich's projects often derive from specific historical events or situations, such as the California electricity crisis of the late 1990s or the petroleum industry in Texas. Through her work, she examines the impact that socio-political and economic factors have on human behavior, as well as the development of power structures, both individual and corporate. The highlighted themes in her work, such as cronyism, insecurity, and regression to childhood, feature a network of symbols and fictionalized narratives that offer insights into the complexities of modern life. ...

Marta Riniker-Radich: Artworks
Untitled
Marta Riniker-RadichUntitled, 2021
29.7 x 21cm
Untitled
Marta Riniker-RadichUntitled, 2021
29.7 x 21cm
No Fly by Night Pamphleteer
No Fly by Night Pamphleteer
Untitled
Marta Riniker-RadichUntitled, 2021
29.7 x 21cm
With No Apologies
Marta Riniker-RadichWith No Apologies, 2019
29.7 x 21cm
Unwelcome Gifts
Marta Riniker-RadichUnwelcome Gifts, 2019
21 x 29.7cm
Born to Lead
Marta Riniker-RadichBorn to Lead, 2019
29.7 x 21cm
An Unattainable Memory
Born to Lead
Marta Riniker-RadichBorn to Lead, 2019
21 x 29.7cm
Born to Lead
Marta Riniker-RadichBorn to Lead, 2019
21 x 29.7cm
The enemy within 7
Marta Riniker-RadichThe enemy within 7, 2017
31 x 41 x 2cm
The enemy within 6
Marta Riniker-RadichThe enemy within 6, 2017
31 x 41 x 2cm
The enemy within 1
Marta Riniker-RadichThe enemy within 1, 2017
31 x 41 x 2cm
The x-ray test meal
Marta Riniker-RadichThe x-ray test meal, 2016
21 x 29.7cm
Eraserlife # 6
Marta Riniker-RadichEraserlife # 6, 2013
14.8 x 21cm
Eraserlife # 5
Marta Riniker-RadichEraserlife # 5, 2013
14.8 x 21cm
Eraserlife # 3
Marta Riniker-RadichEraserlife # 3, 2013
14.8 x 21cm
Eraserlife # 1
Marta Riniker-RadichEraserlife # 1, 2013
14.8 x 21cm
Manhood
Marta Riniker-RadichManhood, 2014
21 x 29.7cm
Licking his ice cream cone)
Tanzania
Marta Riniker-RadichTanzania, 2012
21 x 29.7cm
Untitled
Marta Riniker-RadichUntitled, 2012
21 x 29.7cm
Untitled
Marta Riniker-RadichUntitled, 2012
21 x 29.7cm
Untitled
Marta Riniker-RadichUntitled, 2010
32.6 x 41.6 x 2.5cm
Untitled
Marta Riniker-RadichUntitled, 2012
21 x 29.7cm
Galerie Francesca Pia
Gallery
Galerie Francesca Pia
Zürich

Galerie Francesca Pia was founded 1990 in Bern and from their first exhibitions forward has consistently fostered contemporary artists including Betty Woodman (1990), Peter Fischli & David Weiss (1992), Hans-Peter Feldmann (1993), Thomas Bayrle (1998), Mai-Thu Perret (2000), Wade Guyton (2004), Jutta Koether (2008) and Rochelle Feinstein (2016) et al. Today the gallery is known for the discovery and promotion of emerging artists. After 16 years in Bern, the gallery moved to a larger space in Zurich in 2007. In 2012 the gallery extended and relocated to a more generous space in the historic Löwenbrau building, where it continues to engage in an ambitious program, representing over thirty artists of different generations. ...

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