Versicolor Mouth of the Counselor to the Gods
Versicolor Mouth of the Counselor to the Gods
Versicolor Mouth of the Counselor to the Gods
Versicolor Mouth of the Counselor to the Gods
Versicolor Mouth of the Counselor to the Gods
Versicolor Mouth of the Counselor to the Gods
Versicolor Mouth of the Counselor to the Gods
Versicolor Mouth of the Counselor to the Gods
Versicolor Mouth of the Counselor to the Gods
Versicolor Mouth of the Counselor to the Gods
Versicolor Mouth of the Counselor to the Gods
Versicolor Mouth of the Counselor to the Gods
Versicolor Mouth of the Counselor to the Gods

Max Hooper Schneider

Versicolor Mouth of the Counselor to the Gods, 202440.5 x 42 x 26.5cmSign in to view price
Details
MaterialGallery
custom vintage fluorescent acrylic tank, uv lamp, vintage neon tubes, powder coated aluminum armature, vintage neon tubes, agate slices, clam fossil, aluminum instruments, gemstones, crystals, natural and artificial coral, fossilized coral, plastic plants, artificial sushi, copper dendrites, copper sulfate, pill capsules, pressed flowers, epoxy resin, silicone.High Art
Description
Human-crafted. AI-refined.

This captivating contemporary artwork features a vibrant, kaleidoscopic display within a circular frame. The composition is dominated by a vivid yellow hue, creating a radiant backdrop for the vibrant, abstract forms and shapes that dance across the frame. These shapes and colors blend seamlessly, evoking a sense of organic growth and transformation. The artist's skilled use of various techniques, such as layering and blending, gives the piece a mesmerizing, almost dreamlike quality. This work invites the viewer to explore the intersection of art, science, and the natural world, reflecting the artist's intention to challenge perceptions and spark imaginative contemplation. ...

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Max Hooper Schneider
Artist
Max Hooper Schneider
B.1982, American

Max Hooper Schneider's installations and assemblages focus on themes of death, destruction, and mutation. They are a series of fragmented dreamscapes made of chains, fluorescent tubes, monstrous fingers, and other suggested morphologies whose times and places intertwine, hovering in a transitory perimortal state that evokes both loss and resurrection. According to Schneider and his work, each body exists only through its interactions, communications, and exchanges of matter, energy, and information with other bodies. A 'trans-habitat' is created in which a tension exists between the traumatic and the marvelous. ...

Max Hooper Schneider: Artworks
Dendrite Bonsai (Un-berried)
Max Hooper Schneider
Dendrite Bonsai (Un-berried), 2023
66 x 66 x 56cm
Dendrite Bonsai (Flowering Air Plants)
Max Hooper Schneider
Dendrite Bonsai (Flowering Air Plants), 2023
66 x 94 x 48cm
UN-STILL LIFE
Max Hooper Schneider
UN-STILL LIFE, 2023
123 x 70 x 70cm
Fossil Epizoon (dyrosaurus)
Max Hooper Schneider
Fossil Epizoon (dyrosaurus), 2021
228.5 x 203 x 203cm
Cosmic Void Oasis
Max Hooper Schneider
Cosmic Void Oasis, 2024
26 x 24 x 21.5cm
Interstellar Bog
Max Hooper Schneider
Interstellar Bog, 2024
26 x 24 x 21.5cm
Versicolor Mouth of the Counselor to the Gods
Max Hooper Schneider
Versicolor Mouth of the Counselor to the Gods, 2024
40.5 x 42 x 26.5cm
Psychotomimetic Remembrance of Eternity
Max Hooper Schneider
Psychotomimetic Remembrance of Eternity, 2024
40.5 x 42 x 26.5cm
Dendrite Bonsai (Corn)
Max Hooper Schneider
Dendrite Bonsai (Corn), 2023
61 x 81.25 x 35.5cm
SATURN ANAMNESIS
Max Hooper Schneider
SATURN ANAMNESIS, 2024
32 x 27 x 29cm
Dendrite Bonsai (Lily and Tennis Ball)
Max Hooper Schneider
Dendrite Bonsai (Lily and Tennis Ball), 2024
70 x 51 x 45.5cm
Heavenly Negentropic
Max Hooper Schneider
Heavenly Negentropic, 2024
32 x 27 x 29cm
Fruits of the Rhizosphere Revolt Against the Fallacy of Death In a Storm Without Rain
Max Hooper Schneider
Fruits of the Rhizosphere Revolt Against the Fallacy of Death In a Storm Without Rain, 2025
38 x 56.5 x 30cm
High Art
Gallery
High Art
Paris, Arles

High Art was born in 2013 from an interest in bringing together distinct perspectives in advanced practices that are significant to current paradigms in contemporary art. Since its inception, High Art has functioned to provide an economic and logistic framework for artists by reexamining established modes of art commerce and production while attempting to account for an expanding field of art. The gallery has fostered not only the emergence of artists (Olga Balema, Max Hooper Schneider, Julien Creuzet, Matt Copson, Lucy Bull, Hun Kyu Kim, Mélanie Matranga) but also the emergence of new networks and economies (Paris Internationale, Shanaynay). In May of 2017, High Art inaugurated a new space in the heart of the 9th arrondissement of Paris. The space, which is located on the ground floor of an 19th century Haussmannian building, is notable for housing Georges Bizet while he wrote the opera “Carmen”. In December of 2020, High Art opened a second location in a 12th century chapel in the heart of Arles, France. ...

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