UN-STILL LIFE
UN-STILL LIFE
UN-STILL LIFE

Max Hooper Schneider

UN-STILL LIFE, 2023123 x 70 x 70cmSign in to view price
Details
MaterialGallery
copper electroplated assorted plant matter, eocene turtle fossil, found objects and urban wasteHigh Art
Description
Human-crafted. AI-refined.

This sculpture features a striking composition of organic, natural elements. The predominant colors are earthy tones of brown, with hints of gold and metallic accents. The overall form resembles a sculpture or assemblage, constructed from a variety of materials including dried vegetation, branches, and other found objects. The intricate, asymmetrical arrangement creates a sense of dynamic energy and movement, evoking a sense of the natural world. In terms of artistic style and technique, the work appears to be a contemporary sculptural piece that incorporates elements of found-object art, assemblage, and organic materials. The artist's intention may have been to explore themes of nature, decay, or the relationship between the natural and the man-made. ...

Similar Artworks
Altar
Tali Lennox
Altar, 2021
71.1 x 55.8cm
Soft Spot
Chloe West
Soft Spot, 2021
132.08 x 101.6cm
Girl Descending Staircase
Cathleen Clarke
Girl Descending Staircase, 2023
101.6 x 50.8cm
Age Of Coming
Ostrich Waltz
Tali Lennox
Ostrich Waltz, 2021
121.9 x 101.6cm
Sleepwalker IV
Cathleen Clarke
Sleepwalker IV, 2025
38.1 x 27.9cm
Izintaba
Chambers of the Heart
Tali Lennox
Chambers of the Heart, 2022
86.3 x 71.1cm
The Visitors
Cathleen Clarke
The Visitors, 2024
76 x 61cm
Izintaba
Holy Water
Tali Lennox
Holy Water, 2022
66 x 50.8cm
Relic (Broken Bone)
Chloe West
Relic (Broken Bone), 2022
167.64 x 137.16cm
Mid-City II
Mathis Altmann
Mid-City II, 2023
145 x 70 x 60cm
Untitled
Joanna Woś
Untitled, 2024
90 x 30 x 3cm
victory
rafa esparza
victory, 2021
116.84 x 86.36 x 3.81cm
Pit
Chloe West
Pit, 2022
35.56 x 27.94cm
Psychic mermaid
Roger Muñoz
Psychic mermaid, 2021
45 x 27 x 15cm
Izintaba
Waterfall
Cathleen Clarke
Waterfall, 2025
50.8 x 40.6cm
Ballroom Lagoon
Tali Lennox
Ballroom Lagoon, 2022
182 x 121cm
The Spoilt at War
Matt Copson
The Spoilt at War, 2017
Max Hooper Schneider
Artist
Max Hooper Schneider
B.1982, American

Max Hooper Schneider's installations and assemblages focus on themes of death, destruction, and mutation. They are a series of fragmented dreamscapes made of chains, fluorescent tubes, monstrous fingers, and other suggested morphologies whose times and places intertwine, hovering in a transitory perimortal state that evokes both loss and resurrection. According to Schneider and his work, each body exists only through its interactions, communications, and exchanges of matter, energy, and information with other bodies. A 'trans-habitat' is created in which a tension exists between the traumatic and the marvelous. ...

Max Hooper Schneider: Artworks
Dendrite Bonsai (Un-berried)
Max Hooper Schneider
Dendrite Bonsai (Un-berried), 2023
66 x 66 x 56cm
Dendrite Bonsai (Flowering Air Plants)
Max Hooper Schneider
Dendrite Bonsai (Flowering Air Plants), 2023
66 x 94 x 48cm
UN-STILL LIFE
Max Hooper Schneider
UN-STILL LIFE, 2023
123 x 70 x 70cm
Fossil Epizoon (dyrosaurus)
Max Hooper Schneider
Fossil Epizoon (dyrosaurus), 2021
228.5 x 203 x 203cm
Cosmic Void Oasis
Max Hooper Schneider
Cosmic Void Oasis, 2024
26 x 24 x 21.5cm
Interstellar Bog
Max Hooper Schneider
Interstellar Bog, 2024
26 x 24 x 21.5cm
Versicolor Mouth of the Counselor to the Gods
Max Hooper Schneider
Versicolor Mouth of the Counselor to the Gods, 2024
40.5 x 42 x 26.5cm
Psychotomimetic Remembrance of Eternity
Max Hooper Schneider
Psychotomimetic Remembrance of Eternity, 2024
40.5 x 42 x 26.5cm
Dendrite Bonsai (Corn)
Max Hooper Schneider
Dendrite Bonsai (Corn), 2023
61 x 81.25 x 35.5cm
SATURN ANAMNESIS
Max Hooper Schneider
SATURN ANAMNESIS, 2024
32 x 27 x 29cm
Dendrite Bonsai (Lily and Tennis Ball)
Max Hooper Schneider
Dendrite Bonsai (Lily and Tennis Ball), 2024
70 x 51 x 45.5cm
Heavenly Negentropic
Max Hooper Schneider
Heavenly Negentropic, 2024
32 x 27 x 29cm
Fruits of the Rhizosphere Revolt Against the Fallacy of Death In a Storm Without Rain
Max Hooper Schneider
Fruits of the Rhizosphere Revolt Against the Fallacy of Death In a Storm Without Rain, 2025
38 x 56.5 x 30cm
High Art
Gallery
High Art
Paris, Arles

High Art was born in 2013 from an interest in bringing together distinct perspectives in advanced practices that are significant to current paradigms in contemporary art. Since its inception, High Art has functioned to provide an economic and logistic framework for artists by reexamining established modes of art commerce and production while attempting to account for an expanding field of art. The gallery has fostered not only the emergence of artists (Olga Balema, Max Hooper Schneider, Julien Creuzet, Matt Copson, Lucy Bull, Hun Kyu Kim, Mélanie Matranga) but also the emergence of new networks and economies (Paris Internationale, Shanaynay). In May of 2017, High Art inaugurated a new space in the heart of the 9th arrondissement of Paris. The space, which is located on the ground floor of an 19th century Haussmannian building, is notable for housing Georges Bizet while he wrote the opera “Carmen”. In December of 2020, High Art opened a second location in a 12th century chapel in the heart of Arles, France. ...

Unlock Price & Inquiry Access